Idealism as a View About Nature and the Spirit: Friedrich Wilhelm Joseph Schelling

GA 20/c02-02/p004 · MP1990 LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.

It was the spirit in nature that Schelling sought through intellectual beholding, the spiritual that, from the power of its creativity, brought forth nature. Nature was once the living body of this spiritual, just as the human body is so for the soul. Now it is spreading out, this body of the world spirit, revealing in its traits what once the spiritual incorporated into it, and showing, in its weaving and becoming, gestures that represent the workings of the spiritual. This spiritual working within the world body had to precede the present state of the world, so that this world body could grow hard and produce in the mineral realm a bony system, in the plant realm a nervous system, in the animal realm a soul forerunner of man. In this way the world body was led out of its youth into its old age; the present-day mineral, plant, and animal realms are, so to speak, the hardened products of what once was accomplished, in a spiritually embodied way, by an evolution that is now extinguished. Out of the womb of the aged body of the world, however, the creative spirituality could allow the soul and spirit-endowed human being to arise; within his inner life there shine forth to his knowledge the ideas with which the creative spirituality first brought about the world body. As though enchanted, there lies within present-day nature the spirit that once lived and worked in it; within the human soul this spirit becomes disenchanted. (This presentation of Schelling's relationship to nature is certainly not to be found in any actual words or even in any thoughts used by Schelling himself. Nevertheless, I believe that one can truly reproduce a person's view with such conciseness only if one fixes one's eye upon the spirit of his view, and, in order to express this spirit, uses mental pictures arising in a free way to say in a few words what the original personality expressed in a series of extensive works. Used to this end, the actual words of the personality can only misrepresent the spirit of these words.)

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Cite: GA 20/c02-02/p004 · edition MP1990