{"corpus":"steiner","locus":"GA 20/l05/p036","lang":"en","edition":"MP1990","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"And the feelings with which Herman Grimm assigns the natural-scientific world picture its place in man's larger world view are born from this idealism in world views. Herman Grimm, the brilliant art historian, the stimulating portrayer of great interrelationships in the history of mankind, did not like to express himself on questions relative to world views; he preferred to leave this realm to others. But when he did speak about these things, he did so out of the direct sense of his own personality. With respect to his judgments, he felt secure in that field of judgment which encompassed the German idealistic world view and upon which he knew he stood. And from foundations of his soul like these there came the words he spoke in his twenty-third lecture on Goethe: “Long before, already in his (Goethe's) youth, the great Laplace-Kant fantasy about the rise and eventual downfall of our globe had taken effect. Out of the rotating world mist-children already get this in school—a central drop of gas takes shape from which the earth afterwards arises and, as a solidifying globe, through inconceivable ages of time, passes through all its phases—including the episode of its habitation by the I human race—in order finally, as burnt-out slag, to plunge back into the sun; a long process—but fully comprehensible to the public—needing for its realization no further I input from outside than the efforts of some external power or other to maintain the sun at the same temperature.—A more barren perspective for the future cannot be conceived than this expectation, supposedly forced upon us today by scientific necessity. A carrion bone, avoided even by a hungry dog, would be a refreshing and appetizing morsel compared to this final excrement of creation, the earth, as they picture it ultimately falling prey again to the sun; and the intellectual curiosity with which our generation takes up such things and professes to believe them is one sign of a sick imagination that scholars of future ages will one day have to expend much keen thought to explain as a historical phenomenon of our time.—Never did Goethe allow such bleak prospects to enter ... Goethe would have taken good care not to draw the conclusions of the Darwinian school from what he first discovered from nature in this direction and then expressed.” (With respect to Goethe's relationship to the natural-scientific way of picturing things, see my introductions to Goethe's natural-scientific writings in Kürschner's “German National Literature” and my book Goethe's World View.[^10]","text_trust":"verbatim","quote_safe":true,"title":"New Perspectives","site_heading":null,"date":null,"location":null,"word_count":417,"url":"https://anthroposophy.ai/v1/steiner/en/ga/20/l05/p036","alignment_confidence":"low","alignment_reason":"count_diverges","two_voice_volume":false,"translation_credit":null,"edition_coverage":{"de":["original"],"en":["MP1990"]},"available_versions":[{"lang":"en","edition":"MP1990","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/20/l05/p036"}],"witness_completeness":{"ratio":2.15,"band":"fuller_than_original","note":"This witness is longer than the original — paraphrastic or padded. That makes it a less faithful witness to wording, not a more complete one. Verify quotations against the original.","word_count":11574,"original_word_count":5381,"may_be_abridged":false},"witness_quality":{"translator":{"status":"unknown","warning":"No translator is recorded for this edition. An unattributed translation cannot be weighed as a witness: you cannot tell which hand made the choices in it. Cite the German for anything load-bearing."},"entity_parity":{"status":"not_checkable","note":"No verified paragraph alignment covers this passage, so its names cannot be compared with the German."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}