Lecture III

It has to be said that there is a powerful luciferic element in the theology and in the art that have come to us from the past. To be artistic, this art must look for elements that belong to other worlds, and it is not able to descend fully to the human level. Where it does so, it seems to us to have made a sudden leap down to the level of instinct. Looking at Renaissance life, we see that people had ideas of heaven—no vision any more—and were able to bring those ideas to life in their art in a truly marvellous way. Beneath this, however, we see Renaissance life deteriorate to the level of instincts. World history presents magnificent but sometimes also horrific scenes where Pope Alexander VI, for instance, or Leo X, are on the one hand great scholars, having ideas of the most sublime aspects of other worlds, yet on the other hand are unable, as Renaissance people, to let their personal life rise to that level, letting it degenerate to the life of instincts. It is a terrible thing to see those individuals develop a kind of higher animal life on the one hand, and spreading above this a heaven that is luciferic by nature, a heaven presented to human minds in a theology that is truly wonderful and at the same time also entirely luciferic.