V. The Human Being and its Expression in Greek Art

GA 211/1922-03-31/p025 ·1922-03-31 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

In this context, it is easy to understand how, at a certain age, Goethe could no longer help but break out of this world in which one wants to think about everything. At a certain point in Weimar, Goethe would have liked to get out of his entire skin, even though he was doing extremely well; even though he was idolized at the Weimar court, he could not stand it. He could not stand the whole situation. He also could not bear this: Herder was studying Spinoza. Spinoza, however, is basically a whole thought machinery, a wonderful one, but one does get away from the world when one spins oneself into this thought machinery.

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Cite: GA 211/1922-03-31/p025 · edition English