Lecture XI

The circumstances of Lessing's life, I may say, have always interested me to an extraordinary degree. Lessing is really the founder of the better sort of journalism, the journalism that has substance and is really out to accomplish something. Before Lessing, poets and dramatists had taken their subjects from the aristocracy. Lessing, on the other hand, is at pains to introduce bourgeois life, ordinary middle-class life, into the drama, the life concerned generally with the destinies of men as men, and not with the destinies of men in so far as they hold some position in society or the like. Purely human conflicts—that is what Lessing wanted to portray on the stage. In the course of his work he applied himself to many great problems, as for example when he tried to determine the boundaries of painting and of poetry in his Laocoon. But the most interesting thing of all is the powerful impetus with which Lessing fought for the idea of tolerance. You need only take his Nathan the Wise and you will see at once what a foremost place this idea of tolerance has in Lessing's mind and life. In weaving the fable of the three kings in Nathan the Wise, he wants to show how the three main religions have gone astray from their original forms and are none of them really genuine, and how one must go in search of the true form, which has been lost. Here we have tolerance united with an uncommonly deep and significant idea.