Lecture XI

GA 235/1924-03-22/p030 ·1924-03-22 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

We begin to get an impression of Lessing when we observe, shall I say, the driving force with which he hurls his sentences against his opponents. He wages a polemic against the civilisation of Middle Europe—quite a refined and correct polemic, but at every turn hitting straight home. You must here observe a peculiar nuance in Lessing's character if you want to understand the make-up of his life. On the one hand we have the sharpness, often caustic sharpness, in such writings as The Dramatic Art of Hamburg, and then we have to find the way over, as it were, to an understanding, for example, of the words used by Lessing when a son had been born to him and had died directly after birth. He writes somewhat as follows in a letter: Yes, he has at once taken leave again of this world of sorrow; he has thereby done the best thing a human being can do. (I cannot cite the passage word for word, but it was to this effect.) In so writing, Lessing is giving expression to his pain in a wonderfully brave way, not for that reason feeling the pain one whit less deeply than someone who can do nothing but bemoan the event. This ability to draw back into himself in pain was characteristic of the man who at the same time knew how to thrust forward with vigour when he was developing his polemics. This is what makes it so affecting to read the letter written when his child had died immediately after birth, leaving the mother seriously ill.

Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/235/1924-03-22/p030.json
Cite: GA 235/1924-03-22/p030 · edition English