13. Third Study: Michael is Suffering Over Human Evolution Before the Time of His Earthly Activity

Other persons try with more inward artistic power to feel Nature at one with man. Mighty are the words in which Goethe described Winkelmann's work in a beautiful book: ‘When the healthy nature of man acts as a whole, when he feels himself in the world as in a great, beautiful, majestic and worthy whole, when harmonious case gives him pure, free delight; then would the Universe, if it were conscious of itself, shout aloud for joy, as having reached its goal, and marvel at the climax of its own development and being.’ That which stimulated Lessing with fiery spirit and ensouled Herder's wide outlook on the world, rings out in these words of Goethe. And the whole of Goethe's own work is like a many-sided revelation of these his own words. In his ‘Aesthetic Letters’, Schiller has described an ideal human being who, in the sense described in the above words, bears the Universe within himself and realises it in social intercourse with other human beings. But whence comes this picture of Man? It shines like the morning sun over the Earth in spring. But it has entered into human feeling from study of the ancient Greeks. It arose in men with a strong inward Michael-impulse; but they could give form to this impulse only by turning the mind's eye to days of yore. When Goethe wished to experience ‘Man,’ he felt himself in the greatest conflict with the Spiritual Soul. He sought for Man in Spinoza's philosophy; but only during his tour in Italy, when he studied the nature of Greek art, did he feel that he had a glimpse of him. He went away finally from the Spiritual Soul, which is striving upwards in Spinoza, to the Intellectual Soul or Mind-Soul which was gradually dying out. However, with his far-reaching conception of Nature he was able to carry over an infinite amount from the Intellectual Soul into the Spiritual Soul.