I. Introduction to the Eurythmy Performance

GA 260/1923-12-23/p008 ·1923-12-23 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Thus in his organism the human being is through movement an expression of man as a whole. When you begin to understand this you sense that what in speech resembles Inspiration can descend into Imagination. We can call back something that is a gift to our limbs, to our tongue, our larynx and our palate and so on, we can recall it and let it stream back, asking: What kind of feelings, what kind of sensations stream outwards in our organism in order to create the sound Ah? We shall always discover that an Ah arises through something which expresses itself in one way or another in the air, through a particular movement of our organs of speech; or an Eh in optical axes crossing over, and so on. Then we shall be able to take what has streamed out in this way and become a sound or element of speech, and send it back into our whole being, into our human being of limbs, thus receiving in place of what causes speech to resemble Inspiration something else instead, something which can be seen and shaped and which therefore resembles Imagination.

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Cite: GA 260/1923-12-23/p008 · edition English