The Sources of Artistic Imagination and Supersensible Knowledge II

From time immemorial, people have sensed that there is a certain affinity or at least a relationship between the impulses of artistic imagination, artistic creation and enjoyment, and supersensible knowledge. Whoever encounters artistic individuals will realize that there is a widespread fear among creative artists that artistic work could be disturbed by approaching the conscious experience of the supersensible world, from which artistic imagination receives its impulses, as it is striven for in spiritual-scientific supersensible knowledge. On the other hand, it is well known that certain artistic natures, who approach their artistic production with what appears to shine from the supersensible world, experience something like vision within the activity of their creative imagination. Fairytale writers or other artistic individuals who want to deal more with the phenomena from the supersensible world shining into the world of the senses know how the figures appear before their eyes, but are entirely spiritual, so that they have the feeling that they are in contact with these artistic figures, or that these figures are in contact with each other. Insofar as full consciousness is present, through which one can always tear oneself away from what overcomes one in a visionary way, spiritual science can also speak of vision in such a case. It must be said that there are points of contact between artistic creation, artistic imagination and the seeing consciousness that is able to place itself in the spiritual world in a cognizant way. Nevertheless, especially in the face of a spiritual-scientific view such as the one meant here, one feels the need to emphasize that the artist should not allow his originality to be robbed by what is consciously taken in from the spiritual world. In such a view, one overlooks the essential relationship between artistic imagination and the visionary perception of the spiritual world. For what is meant here by this visionary perception is the kind that develops quite independently through mere soul activity, independently of the physical bodily tool. To what extent it is possible for the soul to place itself in the spiritual world free of the body, I cannot explain today. I would just like to say in advance that what arises in terms of kinship and relationships between genuine artistic creation and enjoyment and true, genuine seership is of more interest to anthroposophical spiritual researchers today than the relationship between seership and visionary states, or abnormal states, which, even if attempts are made to describe them as clairvoyance, are nevertheless only related to physical conditions and do not represent solely mental experiences. But to understand this real relationship between artistic imagination and visionary power, it is necessary to look at what, in the strictest sense of the word, separates the two, and that is a very significant one.