The Sources of Artistic Imagination and Supersensible Knowledge II

First of all, a cardinal experience. One cannot be a spiritual researcher from morning till night. Gazing into the spiritual world is tied to a specific time; one knows the beginning and end of the state in which the soul penetrates into the spiritual world. In this state, the soul is able, through its own power, to completely disregard the impressions of the outer senses, so that nothing remains of all the things that the outer senses see as colors and hear as sounds. It is precisely through this gazing into the nothingness that perception of the spiritual world arises. I would like to say: The seer can extinguish everything that comes to him from the outside world, everything that surges up from ordinary memory into mental consciousness, but he cannot extinguish certain impressions that come to him from works of art that really come from the creative imagination, even if he puts himself into this state. I do not mean to say that the seer in such states has the same impressions of the works of art as the non-seer. He has them in non-seer moments. But in seer moments he has the possibility of completely erasing the sensual and the reminiscent with regard to the outside world, but not with regard to a work of art that he encounters.