{"corpus":"steiner","locus":"GA 271/1918-05-06/p013","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"It becomes apparent that what is experienced in music in supersensible knowledge is related in particular to the new emotional feeling that is experienced outside the body. Music is experienced differently in the visionary state than in ordinary consciousness: it is experienced in such a way that one feels united with every single note, every melody, living with the soul in the surging, sounding life. The soul is completely united with the tones, the soul is as if poured out into the surging tones. I may well say that there is hardly any other way to get such a precise, such a pictorial view of Aphrodite rising from the sea foam than by considering the way the human soul lives in the element of the musical and rising from it, when it grasps itself in the visionary.","text_trust":"verbatim","quote_safe":true,"title":"The Sources of Artistic Imagination and Supersensible Knowledge II","site_heading":null,"date":"1918-05-06","location":null,"word_count":137,"url":"https://anthroposophy.ai/v1/steiner/en/ga/271/1918-05-06/p013","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Understanding Art","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA271/English/SOL2024/19180506p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/271/1918-05-06/p013"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/271/1918-05-06/p013","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 271/1918-05-06/p013","passage_number":13,"text":"Da zeigt sich, daß insbesondere mit dem neuen emotionellen Fühlen, das außerhalb des Leibes erlebt wird, verwandt ist dasjenige, was man in der übersinnlichen Erkenntnis mit der Musik erlebt. Die Musik wird im seherischen Zustand anders erlebt als im gewöhnlichen Bewußtsein: sie wird so erlebt, daß man sich mit jedem einzelnen Ton, jeder Melodie vereint fühlt, mit der Seele lebt im wogenden, tönenden Leben. Die Seele ist ganz verbunden mit den Tönen, die Seele ist wie ausgeflossen in die wogenden Töne. Ich darf wohl sagen, daß man kaum durch etwas eine so präzise Anschauung bekommt, eine so bildhafte Anschauung von der aus dem Meeresschaum aufsteigenden Aphrodite, als wenn man ins Auge faßt die Art, wie das menschliche Seelische im Element des Musikalischen und aus ihm aufsteigend lebt, wenn es im Seherischen sich erfaßt.","text_trust":"verbatim","quote_safe":true,"word_count":133,"url":"https://anthroposophy.ai/v1/steiner/de/ga/271/1918-05-06/p013"}],"english":["GA 271/1918-05-06/p013"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":133,"en_words":137,"ratio":1.03,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"]},"witness_completeness":{"ratio":1.06,"band":"comparable","note":null,"word_count":6883,"original_word_count":6492,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Understanding Art","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA271/English/SOL2024/19180506p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 271/1918-05-06/p013"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}