The Sources of Artistic Imagination and Supersensible Knowledge II

And just as the creatures of the air flutter around Aphrodite as she rises above the sea, approaching her as manifestations of the living in space, so for the seer the musical is joined by the poetic. As he feels himself with his soul as if set apart from the musical element and yet again as if within it, as if identical with it, the poetic element is added to the musical for the seer. He experiences this in an intense form. What he experiences depends on the degree to which he is trained in seership. It is a peculiar thing about poetry. Through language or other means of poetry, the poet expresses what comes to the visionary faculty from poetry. A dramatic person, for example, whom the poet brings to the stage, whom he lets say a few words, is formed from these few words into the complete image of a human personality. That is why, in all that is unreal in poetry, that which is mere empty phrase, that which does not push out of creative power but is made, things seem so unpleasant to the seer: he sees the grotesque caricature in that which is not poetry but still seeks to create something in empty phrases. While the plastic is transformed into spiritual intellectuality, the poetic is transformed into the plastic and the representational, which he must look at. He looks at what is true, what is formed from the true creative laws by which nature creates, and sharply separates this from what is merely created out of human imagination, because one wants to create poetry, even if one is not connected in fantasy with the creative powers of the universe. Such are the experiences in relation to poetry and music.