The Sources of Artistic Imagination and Supersensible Knowledge II

GA 271/1918-05-06/p021 ·1918-05-06 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Language is actually not a unified thing, but something that exists in three different spheres. First, there is a state of language that can be seen as a tool for communication between people and in science. One may call the seer's experience paradoxical, but it is a real one: the seer perceives this use of language as a means of communication and expression for ordinary intellectual science as a kind of demotion of language, even as a debasement of language to something that language is not in its innermost nature. The seer's perception reaches to a different conception. Language is the instrument through which a people lives in community. What lives in language, in the way it is shaped into different forms, in the way sounds are articulated and so on, is, when viewed correctly, artistic. Language as a means of expression of a people is art, and the way language is created is the collective artistic creation of the people who speak that language.

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Cite: GA 271/1918-05-06/p021 · edition English