{"corpus":"steiner","locus":"GA 271/1918-05-06/p032","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Let us again consider the radiating process, the wave that strikes downwards, and strikes against the branching of the blood wave: this expresses the placing of our own equilibrium into the equilibrium of our environment. The subconscious experience is particularly strong here, in which the human being moves from the crawling child into upright balance. This is an enormous subconscious experience. The fact that we have this, which is only caricatured in the ape, and which becomes significant for humanity, that the line through the center of the body coincides with the center of gravity, is an enormous inner experience. There one unconsciously experiences the architectural-sculptural relationship. When the downward nerve wave encounters the blood flow, architecture and sculpture are unconsciously experienced, and it is again brought up and shaped to a greater or lesser extent by unstable or stable conditions.","text_trust":"verbatim","quote_safe":true,"title":"The Sources of Artistic Imagination and Supersensible Knowledge II","site_heading":null,"date":"1918-05-06","location":null,"word_count":141,"url":"https://anthroposophy.ai/v1/steiner/en/ga/271/1918-05-06/p032","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Understanding Art","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA271/English/SOL2024/19180506p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/271/1918-05-06/p032"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/271/1918-05-06/p032","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 271/1918-05-06/p032","passage_number":32,"text":"Betrachten wir wieder den Ausstrahlungsprozeß, die Welle, die nach unten schlägt, an die Verzweigung der Blutwelle anstößt: Da drückt sich aus ein Hineinstellen unseres eigenen Gleichgewichts in das Gleichgewicht der Umwelt. Besonders stark ist da das unterbewußte Erleben, in dem der Mensch vom kriechenden Kind in das aufrechte Gleichgewicht hineintritt. Das ist ein ungeheures unterbewußtes Erlebnis. Daß man das hat, was beim Affen nur karikiert ist, was bedeutsam wird für das Menschtum: daß die Linie durch den Körpermittelpunkt mit der Schwerpunktlinie zusammenfällt, ist ein ungeheures inneres Erleben. Da erlebt man unbewußt das architektonisch-plastische Verhältnis. Indem die Nervenwelle nach unten sich begegnet mit der Blutströmung, wird unbewußt erlebt Architektur, das Bildhauermäßige, und es wird wieder durch labile oder stabile Verhältnisse mehr oder weniger heraufgeholt und zur Gestaltung gebracht.","text_trust":"verbatim","quote_safe":true,"word_count":127,"url":"https://anthroposophy.ai/v1/steiner/de/ga/271/1918-05-06/p032"}],"english":["GA 271/1918-05-06/p032"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":127,"en_words":141,"ratio":1.11,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.06,"band":"comparable","note":null,"word_count":6883,"original_word_count":6492,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Understanding Art","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA271/English/SOL2024/19180506p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 271/1918-05-06/p032"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}