{"corpus":"steiner","locus":"GA 271/1918-05-06/p039","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"This characterizes the point in our culture we are at. If one is able to respond to what is needed in our time, one will, like Morgenstern, have to come to the conclusion: one must not remain illiterate towards clairvoyant knowledge; as an artist, one must seek connections to clairvoyant knowledge. Just as it is significant when the visionary element sheds light on artistic creation, it is equally significant when artistic taste can inspire what, as a form of visionary philistinism, still has nothing artistic and at best something amusing about it. For the true spiritual expert of the future, the bridge that can be built between artistry and vision is more important than any pathological visionary.","text_trust":"verbatim","quote_safe":true,"title":"The Sources of Artistic Imagination and Supersensible Knowledge II","site_heading":null,"date":"1918-05-06","location":null,"word_count":117,"url":"https://anthroposophy.ai/v1/steiner/en/ga/271/1918-05-06/p039","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Understanding Art","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA271/English/SOL2024/19180506p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/271/1918-05-06/p039"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/271/1918-05-06/p039","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 271/1918-05-06/p039","passage_number":39,"text":"Das charakterisiert, an welchem Punkte unserer Kultur wir stehen. Wenn man auf das, was unserer Zeit nottut, eingehen kann, wird man, wie Morgenstern, zum Eindruck kommen müssen: Man darf gegenüber hellseherischer Erkenntnis nicht Analphabet bleiben; man muß als Künstler Beziehungen suchen zum hellseherischen Erkennen. Ebenso wie es bedeutsam ist, wenn das seherische Element in das künstlerische Schaffen Licht gießt, ebenso ist es bedeutsam, wenn das, was als seherisches Philistertum nichts Musisches, höchstens etwas Amusisches heute noch hat, sich befruchten läßt vom künstlerischen Geschmack. Wichtiger als alles pathologische Sehertum ist dem wahren Geisteskenner der Zukunft die Brücke, die geschlagen werden kann zwischen Künstlertum und Sehertum.","text_trust":"verbatim","quote_safe":true,"word_count":104,"url":"https://anthroposophy.ai/v1/steiner/de/ga/271/1918-05-06/p039"}],"english":["GA 271/1918-05-06/p039"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":104,"en_words":117,"ratio":1.12,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"]},"witness_completeness":{"ratio":1.06,"band":"comparable","note":null,"word_count":6883,"original_word_count":6492,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Understanding Art","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA271/English/SOL2024/19180506p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 271/1918-05-06/p039"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}