9. The Realm of Mothers. The Glorious Matter

GA 272/1915-08-16/p009 ·1915-08-16 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
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We hear the word from “Faust”. And when we recall how this realm of the Mothers is described, how they sit around the golden tripod, when we envision the entire scene of the realm of the Mothers, how could this journey of Faust into the realm of the Mothers be expressed? What are they, the Mothers, who reign eternally, but who are depicted as feminine and represent the forces from which Faust has brought forth the eternal, the immortal of Helen? If one wanted to express the whole fact at the point where Faust is sent to Helena, one would have to say: Faust will have to express his urge to Helena and to the Mothers by saying: The eternal feminine pulls us up or down – it does not matter now. We might just as well apply this last motive, which confronts us at the end of Faust, to the point where Faust descends to the Mothers. But with Faust on his journey to the Mothers and to Helen, we are standing on the soil of the old pagan world, the pre-Christian world, the world that preceded the Mystery of Golgotha. And at the end of Faust? We are confronted with a similar journey by Faust, the journey of the loving Faust, who wants to approach Gretchen's soul, but we are now with him on the ground of evolution after the mystery of Golgotha. And what does he strive for now? Still for the mothers? Not for the threesome of mothers. To the one mother, to the Mater gloriosa, who is to pave the way for him into the untrodden, the un-treadable, where Gretchen's soul dwells. The mothers, the eternal feminine too, are in the plural. The mother, the Mater gloriosa, is in the singular. And the striving towards the Mothers, in that it transports us into the time of evolution before the Mystery of Golgotha, and the striving towards the Mother, towards the gloriously magnificent Matter, in that it transports us into the evolution after the Mystery of Golgotha — does it not show us in a wonderful way, poetically magnificent, overwhelmingly magnificent, that which the Mystery of Golgotha has brought to humanity? From the threefold nature of still astral thinking, feeling and willing, humanity in Faust strives upwards towards the threefold nature of the eternal feminine. We have often described how the unity of the human soul in the I has come to humanity through the Mystery of Golgotha. The three Mothers become the one Mother, the Mater gloriosa, through the fact that the human being has progressed in the way we know to an inner interpenetration with the I.

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Cite: GA 272/1915-08-16/p009 · edition English