12. In Place of Homunculism and Mephistophelianism

In the two lectures following the performance of the later Walpurgis-night scene, from the second part of Faust, I hoped to evoke the feeling that, in the whole of his inner life, Goethe was in reality on the path to the supersensible world. I wanted you to feel that he succeeded, as perhaps no other artist, no other poet, has ever done, in developing an artistic creation out of this spiritual life, so that in this creation neither the art not the wisdom falls short and, in its own place, each of the spheres—of striving and wisdom—achieves harmonic expression.