{"corpus":"steiner","locus":"GA 275/1914-12-30/p040","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"I shall not elaborate on these concluding remarks or go into more detail because I believe that there are a good many among you who will perhaps understand much of what is meant by them, who will understand that they were intended as an indication of a number of things that are satisfactory and a number that are disappointing. Today, having tried for a while to walk together along a path of spiritual science, it is good to think about these things for a moment; for there are various reasons why we should reflect and ask ourselves to what extent our own soul is participating in the sincere and honest effort to achieve the spiritual purposes which are nourished by the current of spiritual science. What a superb perspective unfolds before us when we say: Life, science, religion, and also art can receive impulses of transformation from spiritual science when it is truly understood. In the case of the pictorial and plastic arts the impulses come from what we learn in spiritual spheres about the past; and in the case of the arts involving music and speech the impulses come from that which we are striving for inwardly, in order to be able to approach the future. This perspective is so immense and so powerful that we cannot bring enough realisation to bear on it, in order to make it more intensely clear to ourselves. And the more we succeed in making clear to ourselves the inner mood resulting from this vision, the better we shall be as true members of that great organism known to us as spiritual science, an organism which is small today, but which has within it great possibilities. With this today I not only want to appeal to your reason and your understanding, but I also want to sow it as a seed in your souls and in your hearts.","text_trust":"verbatim","quote_safe":true,"title":"III. Impulses of Transformation for Man's Artistic Evolution II","site_heading":null,"date":"1914-12-30","location":null,"word_count":315,"url":"https://anthroposophy.ai/v1/steiner/en/ga/275/1914-12-30/p040","alignment_confidence":"medium","alignment_reason":"beads:length","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Pauline Wehrle and Johanna Collis","identified_edition":"RSP1984","book_title":"Art as Seen in the Light of Mystery Wisdom","publisher":"Rudolf Steiner Press","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA275/English/RSP1984/19141230p01.html","evidence":"lecture_list_row","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/275/1914-12-30/p040","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1914-12-30","de_passages":[{"locus":"GA 275/1914-12-30/p033","url":"https://anthroposophy.ai/v1/steiner/de/ga/275/1914-12-30/p033"}],"bead_confidence":"medium","pairing_state":"proposed","verified":false,"length_check":{"de_words":263,"en_words":315,"ratio":1.2,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 275/1914-12-30/p033","passage_number":33,"text":"Ich möchte nicht die paar Sätze, welche ich am Schlusse gesprochen habe, genauer ausführen, ihre Bedeutung genauer umschreiben, weil ich glaube, daß so mancher unter Ihnen sein wird, der vielleicht vieles in diesen Sätzen verstehen wird, der verstehen wird, daß in diesen Sätzen manches angedeutet werden sollte von dem, was an Befriedigendem und an Enttäuschendem vorhanden ist. Heute, nachdem wir eine Weile versucht haben, einen geisteswissenschaftlichen Weg miteinander zu machen, ist es gut, darüber einmal nachzudenken, das sich einmal vorzuhalten, denn es gibt mancherlei Veranlassungen, solches sich vorzuhalten, inwiefern man mit der eigenen Seele Anteil nimmt an dem aufrichtigen, ehrlichen Hinaufstreben zu den geistigen Interessen, die gerade durch die geisteswissenschaftliche Strömung gepflegt werden. Denn wie großartig ist die Perspektive, wenn wir uns sagen: Das Leben, die Wissenschaft, die Religion und auch die Kunst, sie können Umwandlungsimpulse erleben von der wahrhaft verstandenen Geisteswissenschaft. Alle bildenden Künste von dem, was wir im Geistigen erkennen über die Vergangenheit, alle musikalischen, redenden Künste von dem, was wir erstreben in uns, um einmal einer Zukunft entgegengehen zu können. Diese Perspektive ist so groß und so gewaltig, daß wir gar nicht genug empfinden und erfühlen können, um sie uns intensiver klarzumachen. Und je mehr wir das können, die Stimmung, die aus uns heraus kommt, uns klarzumachen, desto besser stehen wir als wirkliche Glieder in dem großen — heute noch kleinen, aber zu Großem veranlagten - Organismus darinnen, den wir als die Geisteswissenschaft kennen. Das möchte ich heute nicht nur in Ihren Verstand und in Ihre Vernunft senden, sondern das möchte ich in Ihr Gemüt und in Ihr Herz legen.","text_trust":"verbatim","quote_safe":true,"word_count":263,"url":"https://anthroposophy.ai/v1/steiner/de/ga/275/1914-12-30/p033"}],"english":["GA 275/1914-12-30/p040"],"method":"length","confidence":"medium","correspondence":"established","length_check":{"de_words":263,"en_words":315,"ratio":1.2,"partial":false},"pairing_state":"proposed","verified":false},"witness_completeness":{"ratio":1.05,"band":"comparable","note":null,"word_count":5823,"original_word_count":5545,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Pauline Wehrle and Johanna Collis","identified_edition":"RSP1984","book_title":"Art as Seen in the Light of Mystery Wisdom","publisher":"Rudolf Steiner Press","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA275/English/RSP1984/19141230p01.html","evidence":"lecture_list_row","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 275/1914-12-30/p033"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}