VIII. Working with Sculptural Architecture II

GA 275/1915-01-04/p020 ·1915-01-04 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Now a form such as this is only complete when it is fulfilling its purpose. If you look at the form now it is not complete. It will only be complete when the heating is actually functioning inside and smoke is coming out; smoke belongs to it, it really belongs, and this has been included in the architectural form. One day when the rising of the smoke is observed clairvoyantly, and the smoke coming out of the chimney, the spiritual part of the rising smoke will also be taken into consideration—for we shall know, when we have really observed it clairvoyantly, that the physical also contains a spiritual element. For just as you have a physical, an etheric and an astral body, the smoke also has at least an etheric part. And this etheric part goes a different way from the physical: the physical part will go upwards, but the etheric part is really caught by these twigs that reach outwards. A time will come when people will see the physical part of the smoke rising while the etheric part wafts away. When this kind of thing is expressed in the form, a principle of all art is gradually being complied with, namely, the presenting of the inner essence in outer form, really making the inner essence the principle according to which the outer form is created.

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Cite: GA 275/1915-01-04/p020 · edition English