VIII. Working with Sculptural Architecture II

GA 275/1915-01-04/p021 ·1915-01-04 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
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As I said, I would have to do a lot of talking if I were to go into all the details on which these architectural forms are based, although these might be far more interesting than those we have already discussed. One of these interesting things is that it was possible to express everything that had to be expressed in this modern material, and build with concrete. For it will be possible to go a long way with form-making in this modern material, especially in the designing of buildings in this style that will serve modern ahrimanic civilisation. In fact it is essential to do so. There is no need for me to go into any further details, because I am more concerned with showing you the principle of this building and everything to do with it. This principle can he modified in many respects. For instance the dome can be modified so that it does not look like a dome any more, if it is looked at merely from the geometrical-mathematical point of view and not organically, and so on. But today I wanted to discuss the particular principle of inner metamorphosis and transformation, the life principle within these. I wanted to cite this to show you in what way real artistic creativity, when it has to do with our spiritual-scientific conception, has to differ from any kind of symbolic interpretation, for that is external. It is a matter of getting an inner grasp of what you are being shown here and following the process with your whole soul.

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Cite: GA 275/1915-01-04/p021 · edition English