Lecture VII

Then one is not tempted to form ideas symbolically or allegorically, but to let all ideas flow to a certain point and to follow the purely artistic form. Thus the Goetheanum architecture rose completely idea-less (if I may use that odd expression) as a result of feeling the forms out of the spirit. It should be seen, not explained. When I had the honor of conducting guests through the Goetheanum, I usually made introductory remarks something like this: “You naturally expect me to explain the building, but this is uncongenial. During the next half hour, while guiding you, I must do something I very much dislike, for the Goetheanum is here to be seen, not explained.” This I emphasized over and over, for the edifice standing there should live as image, not in abstract deadening thoughts. Explanations being unavoidable, I tried to make mine not abstract but imbued with the feelings embodied in the building's own forms, pictures, colors. One can be spiritual in forms, colors, tones, as well as words. Indeed, only then does one experience the really artistic. For here in our sense world art is always an influx of the super-sensible. We can perceive this truth in any work of art which presents itself in forms having their origin in human nature.