Lecture VIII

GA 276/1923-05-20/p040 ·1923-05-20 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

I make a distinction between declamation and recitation: two separate arts. Declamation has its home in the north; and is effective primarily through the weight of its syllables: chief stress, secondary stress. In contrast, the reciting artist has always lived in the south. In recitation man takes into account not the weight but the measure of the syllables: long syllable, short syllable. Greek reciters, presenting their texts concisely, experienced the hexameter and pentameter as mirrors of the relationship between breathing and blood circulation. There are approximately eighteen breaths and seventy-two pulse-beats per minute. Breath and pulse-beat chime together. The hexameter has three long syllables, the fourth is the caesura. One breath measures four pulse beats. This one-to-four relation appearing in the measure and scanning of the hexameter brings to expression the innermost nature of man, the secret of the relation of breath and blood circulation.

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Cite: GA 276/1923-05-20/p040 · edition English