{"corpus":"steiner","locus":"GA 276/1923-06-09/p030","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Where in our age do we not forsake the artistic? Simple life conditions are reproduced crudely, naturalistically, without any relation to the spiritual, and without this relation there is no art. Hence the striving of impressionism and expressionism to return to the spiritual. Though in many cases clumsy, tentative, exploratory, it is better than the inartistic copying of a model.","text_trust":"verbatim","quote_safe":true,"title":"Lecture VI","site_heading":"Painting and the Spiritual Radiance of Color","site_heading_note":"A heading the site wrote for this unit from a summary of it; not in the edition, and not the words of Rudolf Steiner or of the translator. Cite the unit by its title and locus, never by this heading, and do not quote it.","date":"1923-06-09","location":null,"word_count":60,"url":"https://anthroposophy.ai/v1/steiner/en/ga/276/1923-06-09/p030","alignment_confidence":"medium","alignment_reason":"beads:length","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Lisa D. Monges and Virginia Moore","identified_edition":"AP1964","book_title":"The Arts and Their Mission","publisher":"Anthroposophic Press","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA276/English/AP1964/19230609p01.html","evidence":"lecture_list_row","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/276/1923-06-09/p030","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"other_renderings":{"loci":[{"locus":"GA 291/1923-06-09","ga":"291","lecture":"1923-06-09","kind":"reprint","relation":"the same text served under another volume (a reprint or another edition)"}],"note":"The same lecture is also served at the loci listed, each with how it relates to this one. They are ONE witness, not independent attestations: quote the rendering you fetched, and do not cite another as corroborating it. Wording differs between translations, so a quotation found in one need not occur in the other."},"german_anchor":{"de_prefix":"1923-06-09","de_passages":[{"locus":"GA 276/1923-06-09/p023","url":"https://anthroposophy.ai/v1/steiner/de/ga/276/1923-06-09/p023"},{"locus":"GA 276/1923-06-09/p024","url":"https://anthroposophy.ai/v1/steiner/de/ga/276/1923-06-09/p024"}],"bead_confidence":"medium","pairing_state":"proposed","verified":false,"length_check":{"de_words":339,"en_words":277,"ratio":0.82,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 276/1923-06-09/p023","passage_number":23,"text":"Aber wo ist nicht überall in unserer Zeit ein Herausfallen aus dem Künstlerischen, wenn, ich möchte sagen, einfach Lebensverhältnisse roh naturalistisch wiedergegeben werden, ohne daß die Beziehung zu dem Geistigen wirklich da liegt. Ohne diese Beziehung zu dem Geistigen gibt es kein Künstlerisches. Daher ist in unserer Zeit dieses Streben im Impressionismus und Expressionismus, nun wiederum zum Geistigen zurückzukehren. Wenn das auch vielfach ungeschickt ist, wenn das auch vielfach ein bloßer Anfang ist, so ist es dennoch mehr als dasjenige, was unkünstlerisch mit dem Modell in einer roh naturalistischen Weise arbeitet. Und wenn Sie den Begriff des Künstlerisch-Schönen in dieser Weise fassen, dann werden Sie zum Beispiel auch das Tragische unterbringen können, das Tragische überhaupt in seinem künstlerischen Hereingreifen in die Welt fassen können.","text_trust":"verbatim","quote_safe":true,"word_count":124,"url":"https://anthroposophy.ai/v1/steiner/de/ga/276/1923-06-09/p023"},{"locus":"GA 276/1923-06-09/p024","passage_number":24,"text":"Der Mensch, der sich nach seinen Gedanken richtet, der intellektualistisch sein Leben führt, kann nie tragisch werden. Und der Mensch, der ganz tugendhaft lebt, kann auch eigentlich nie tragisch werden. 'Tragisch werden kann der Mensch, der in irgendeiner Weise zum Dämonischen, das heißt zum Geistigen hinneigt. Es fängt eine Persönlichkeit, ein Mensch erst an tragisch zu werden, wenn das Dämonische im Guten oder im Schlimmen in irgendeiner Weise in ihm vorhanden ist. Nun stehen wir heute im Zeitalter des frei werdenden Menschen, wo der Mensch als dämonischer Mensch eigentlich ein Anachronismus ist. Das ist der ganze Sinn des fünften nachatlantischen Zeitraumes, daß der Mensch aus dem Dämonischen herauswächst zum freien Menschen. Aber indem der Mensch ein freier Mensch wird, hört sozusagen die Möglichkeit des Tragischen auf. Wenn Sie die alten tragischen Gestalten, selbst noch die meisten Shakespearschen tragischen Gestalten nehmen, so haben Sie das innerlich Dämonische, welches zum Tragischen führt. Da, wo der Mensch die Erscheinung eines Dämonisch-Geistigen ist, wo das Dämonisch-Geistige durch ihn strahlt, sich offenbart, wo der Mensch gewissermaßen das Medium des Dämonischen wird, ist das Tragische möglich gewesen. In diesem Sinne wird das Tragische mehr oder weniger aufhören müssen, denn die freigewordene Menschheit muß sich von dem Dämonischen losmachen. Heute tut sie das noch nicht. Sie fällt erst recht ins Dämonische hinein.","text_trust":"verbatim","quote_safe":true,"word_count":215,"url":"https://anthroposophy.ai/v1/steiner/de/ga/276/1923-06-09/p024"}],"english":["GA 276/1923-06-09/p030","GA 276/1923-06-09/p031"],"method":"length","confidence":"medium","correspondence":"established","length_check":{"de_words":339,"en_words":277,"ratio":0.82,"partial":false},"pairing_state":"proposed","verified":false},"witness_completeness":{"ratio":0.74,"band":"short","note":"This witness is materially shorter than the original (below 75%). Passages may be omitted without any visible gap. A phrase absent here is NOT evidence it is absent from the original; search the original language before concluding.","word_count":4390,"original_word_count":5932,"may_be_abridged":true},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Lisa D. Monges and Virginia Moore","identified_edition":"AP1964","book_title":"The Arts and Their Mission","publisher":"Anthroposophic Press","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA276/English/AP1964/19230609p01.html","evidence":"lecture_list_row","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 276/1923-06-09/p023","GA 276/1923-06-09/p024"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}