{"corpus":"steiner","locus":"GA 277a/1915-08-26/p005-p016","extent":"range","passage_number":5,"through":16,"paragraph_count":12,"first_locus":"GA 277a/1915-08-26/p005","last_locus":"GA 277a/1915-08-26/p016","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"title":"The Apollonian Course X","date":"1915-08-26","location":null,"alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1912–1918","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277a/English/SOL2024/19150826e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. 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Verbatim, but do not attribute it to him.","witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1912–1918","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277a/English/SOL2024/19150826e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). 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Light (clairvoyance) can be traced back to certain sensations that the creative hierarchies had in the pre-worldly (pre-earthly) stage. Sensations that have remained. Thus, on Jupiter, all the joy of today will be light and brightness; the sadness and pain of today will be darkness and gloom.","text_trust":"verbatim","quote_safe":true,"word_count":75,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277a/1915-08-26/p011","witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1912–1918","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277a/English/SOL2024/19150826e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. 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See witness_completeness for how much of the original this witness holds."}}],"attribution_warning_on":[7,9],"witnesses":[{"lang":"de","edition":"original","is_original":true,"is_default_edition":true,"first_passage":1,"last_passage":61,"passage_count":61,"word_count":1165},{"lang":"en","edition":"English","is_original":false,"is_default_edition":true,"first_passage":1,"last_passage":61,"passage_count":61,"word_count":1273,"completeness":{"ratio":1.09,"band":"comparable","note":null}}],"aligned_witness":{"status":"aligned","lang":"de","edition":"original","confidence":"high","passages":[{"locus":"GA 277a/1915-08-26/p005","passage_number":5,"text":"**Hell und Dunkel als Stimmung und Empfindungsinhalte der Laute**","text_trust":"verbatim","quote_safe":true,"word_count":9,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p005"},{"locus":"GA 277a/1915-08-26/p006","passage_number":6,"text":"*Beispiel für ein helles Gedicht*","text_trust":"verbatim","quote_safe":true,"word_count":5,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p006"},{"locus":"GA 277a/1915-08-26/p007","passage_number":7,"text":"> *Johann Wolfgang von Goethe: «Frühzeitiger Frühling» (Auszug)*\n> Blauliche Frische!  \n> Himmel und Höh’!  \n> Goldene Fische  \n> Wimmeln im See.\n> Buntes Gefieder  \n> Rauschet im Hain;  \n> Himmlische Lieder  \n> Schallen darein.","text_trust":"verbatim","quote_safe":true,"word_count":35,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p007"},{"locus":"GA 277a/1915-08-26/p008","passage_number":8,"text":"*Beispiel für ein dunkles Gedicht*","text_trust":"verbatim","quote_safe":true,"word_count":5,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p008"},{"locus":"GA 277a/1915-08-26/p009","passage_number":9,"text":"> *Johann Wolfgang von Goethe: «Der Schmachtende»  \n> (aus: «Verschiedene Empfindungen an einem Platze»)*\n> Hier klag’ ich verborgen  \n> Dem tauenden Morgen  \n> Mein einsam Geschick.  \n> Verkannt von der Menge  \n> Wie zieh’ ich ins Enge  \n> Mich stille zurück!  \n> O zärtliche Seele  \n> O, schweige, verhehle  \n> Die ewigen Leiden,  \n> Verhehle dein Glück!","text_trust":"verbatim","quote_safe":true,"word_count":58,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p009"},{"locus":"GA 277a/1915-08-26/p010","passage_number":10,"text":"Nun muss man versuchen, gewisse Licht- u. Farbunterschiede in den Formen und Bewegungen zu machen.","text_trust":"verbatim","quote_safe":true,"word_count":15,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p010"},{"locus":"GA 277a/1915-08-26/p011","passage_number":11,"text":"Man kann nun auch unterscheiden in der Stimmung zwischen Hell und Dunkel. Heute meint man damit nur Lichtunterschied - aber das ist ein uralter Unterschied. Das Helle («Hell»sehen) ist zurückzuführen auf gewisse Empfindungen, die die schöpferischen Hierarchien im vorweltlichen (vorirdischen) Stadium gehabt haben. Zurückgebliebene Empfindungen. So wird auf Jupiter alle Freude von heute - Helle, Helligkeit sein; Traurigkeit und Schmerz von heute — Dunkel, Dunkelheit.","text_trust":"verbatim","quote_safe":true,"word_count":65,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p011"},{"locus":"GA 277a/1915-08-26/p012","passage_number":12,"text":"Da meine ich mich zu erinnern, dass er ziemlich präzis formulierte: Unser heutiges Licht geht zurück auf Freudeempfindungen geistiger Hierarchien während vergangener planetarischer Zustände, so wie unsere heutige Freude Licht wird auf dem Jupiter.","text_trust":"verbatim","quote_safe":true,"word_count":34,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p012"},{"locus":"GA 277a/1915-08-26/p013","passage_number":13,"text":"Ganz allgemein gilt Folgendes:","text_trust":"verbatim","quote_safe":true,"word_count":4,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p013"},{"locus":"GA 277a/1915-08-26/p014","passage_number":14,"text":"Hell ist jedes Strecken  \nDunkel jedes Zusammenzichen.","text_trust":"verbatim","quote_safe":true,"word_count":7,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p014"},{"locus":"GA 277a/1915-08-26/p015","passage_number":15,"text":"Man muss sich bemühen, die Helligkeit des Gedichtes zu empfinden oder die Dunkelheit.","text_trust":"verbatim","quote_safe":true,"word_count":13,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p015"},{"locus":"GA 277a/1915-08-26/p016","passage_number":16,"text":"Darnach können Sie einrichten die Empfindungsnuance, die Empfindungsinhalte der verschiedenen Laute, Worte. Jedes Strecken ist hell. Das i klingt hell, ist hell. Gedichte mit viel i wären als helle Gedichte zu empfinden. «Flotte Bursche» von Fercher von Steinwand, «Wiegenlied» von Brentano - helle Gedichte. In einem hellen Gedicht möglichst Streckungen anbringen.","text_trust":"verbatim","quote_safe":true,"word_count":51,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1915-08-26/p016"}],"beads":[{"from":[5],"to":[5],"confidence":"high","pairing_state":"verified"},{"from":[6],"to":[6],"confidence":"high","pairing_state":"verified"},{"from":[7],"to":[7],"confidence":"high","pairing_state":"verified"},{"from":[8],"to":[8],"confidence":"high","pairing_state":"verified"},{"from":[9],"to":[9],"confidence":"high","pairing_state":"verified"},{"from":[10],"to":[10],"confidence":"high","pairing_state":"verified"},{"from":[11],"to":[11],"confidence":"high","pairing_state":"verified"},{"from":[12],"to":[12],"confidence":"high","pairing_state":"verified"},{"from":[13],"to":[13],"confidence":"high","pairing_state":"verified"},{"from":[14],"to":[14],"confidence":"high","pairing_state":"verified"},{"from":[15],"to":[15],"confidence":"high","pairing_state":"verified"},{"from":[16],"to":[16],"confidence":"high","pairing_state":"verified"}],"note":"Paired by the paragraph aligner; each language numbers its own paragraphs. A bead at either end of the span can carry text beyond it (the `from` numbers show what each bead covers)."}}