{"corpus":"steiner","locus":"GA 277a/1918-02-19/p005-p007","extent":"range","passage_number":5,"through":7,"paragraph_count":3,"first_locus":"GA 277a/1918-02-19/p005","last_locus":"GA 277a/1918-02-19/p007","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"title":"Address on Eurythmy","date":"1918-02-19","location":null,"alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1912–1918","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277a/English/SOL2024/19180219p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"witness_completeness":{"ratio":1.02,"band":"comparable","note":null,"word_count":1533,"original_word_count":1498,"may_be_abridged":false},"site_heading":null,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277a/1918-02-19/p005-p007","json_url":"https://anthroposophy.ai/v1/steiner/en/ga/277a/1918-02-19/p005-p007.json","lecture_url":"https://anthroposophy.ai/v1/steiner/en/ga/277a/1918-02-19#p005","word_count":557,"quote_safe":true,"passages":[{"passage_number":5,"locus":"GA 277a/1918-02-19/p005","text":"This led to the idea of observing that part of the human etheric body that is always dancing in a regular manner, namely the area of the human etheric or formative body that surrounds the larynx and the organs of speech in general. And because it is in the nature of the world that metamorphosis takes place everywhere, that the part strives everywhere to become a whole, and human life lies precisely in demystifying the whole of the part, it was natural to come up with the idea of highlighting what is realized supersensibly in the human etheric body while it speaks and sings in the entire human organization.","text_trust":"verbatim","quote_safe":true,"word_count":109,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277a/1918-02-19/p005","german_anchor":{"de_prefix":"1918-02-19","de_passages":[{"locus":"GA 277a/1918-02-19/p005","url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1918-02-19/p005"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":103,"en_words":109,"ratio":1.06,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. 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Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277a/1918-02-19/p005"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}},{"passage_number":6,"locus":"GA 277a/1918-02-19/p006","text":"Just as the sculptor outwardly realizes what is expressed in the human form, so the spiritual researcher realizes what is brought about in the human larynx and the adjacent organs by the forces of the etheric body. And so eurythmy came into being through the combination of the movements that the human limbs can make, which can perform what the larynx organism performs when it speaks or sings.","text_trust":"verbatim","quote_safe":true,"word_count":68,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277a/1918-02-19/p006","german_anchor":{"de_prefix":"1918-02-19","de_passages":[{"locus":"GA 277a/1918-02-19/p006","url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1918-02-19/p006"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":66,"en_words":68,"ratio":1.03,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1912–1918","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277a/English/SOL2024/19180219p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277a/1918-02-19/p006"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}},{"passage_number":7,"locus":"GA 277a/1918-02-19/p007","text":"But then, in addition to this movement, there is something else that lives in the same part of the human image-forming body, something that is held back, something that passes through our soul when we feel, when we experience impulses of will that can be translated into actions or simply felt. All this is not expressed in the same way in the image-forming body of the larynx as the word, the sound itself, but is expressed in a very formative way. We color, we permeate our speech and our singing with the tone of our will. But this does not translate into movement; it stalls the movement, so to speak. In the etheric body, a certain sound causes a swing, a movement of some kind to be performed. Feeling enters into the matter through the fact that this movement is dulled in a certain way and a form arises in the movement. While the movements of the etheric body are directly reflected in our eurythmy, what is contained in natural speech pours into the sounds, and eurythmy attempts to dissolve this, to bring it out. So, in eurythmy, we translate real movement into movements of the human limbs, or we dissolve movements that are latent while a person is speaking into real movements, into movements that the human organism then performs outside of its limbs by bending the head forward and backward, or by doing group dances. But you see that what we do is not something invented, but a reflection of what is present in the human organism. In this way, we really go back to the principles of ancient temple dance; for everything that was originally true temple art had as its principle the permeation of human life with the power of the word. But “word” was not understood in the way we understand it today, but rather the wisdom that resounds through the world in the sound of the spheres, which finds expression in the most diverse areas, which has a pure expression in human language, a somewhat more abstract expression in human song, which has a materialization in instrumental music, which can be redeemed when the whole human organism is brought into form and movement in the manner described. That is actually the principle at stake.","text_trust":"verbatim","quote_safe":true,"word_count":380,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277a/1918-02-19/p007","german_anchor":{"de_prefix":"1918-02-19","de_passages":[{"locus":"GA 277a/1918-02-19/p007","url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1918-02-19/p007"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":353,"en_words":380,"ratio":1.08,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1912–1918","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277a/English/SOL2024/19180219p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277a/1918-02-19/p007"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}],"witnesses":[{"lang":"de","edition":"original","is_original":true,"is_default_edition":true,"first_passage":1,"last_passage":10,"passage_count":10,"word_count":1498},{"lang":"en","edition":"English","is_original":false,"is_default_edition":true,"first_passage":1,"last_passage":10,"passage_count":10,"word_count":1533,"completeness":{"ratio":1.02,"band":"comparable","note":null}}],"aligned_witness":{"status":"aligned","lang":"de","edition":"original","confidence":"medium","passages":[{"locus":"GA 277a/1918-02-19/p005","passage_number":5,"text":"Dadurch kam dann der Gedanke, das, was ja eigentlich im menschlichen Ätherleib immer in einer regelmäßigen Weise tanzt, nämlich die Gegend des menschlichen Äther- oder Bildekräfteleibes, die die Kehlkopf-, die Sprachorgane überhaupt umschließt, diesen Teil zu beobachten. Und weil es im Wesen der Welt liegt, dass überall Metamorphose sich verwirklicht, dass der Teil überall strebt, ein Ganzes zu werden, und das menschliche Leben gerade darin liegt, das Ganze des Teiles zu entzaubern, so kam man naturgemäß durch eine Selbstverständlichkeit auf den Gedanken, das, was übersinnlich am menschlichen Ätherleib sich verwirklicht, während er spricht, während er singt, das herauszustellen in die ganze menschliche Organisation.","text_trust":"verbatim","quote_safe":true,"word_count":103,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1918-02-19/p005"},{"locus":"GA 277a/1918-02-19/p006","passage_number":6,"text":"Nicht wahr, so wie der Bildhauer äußerlich verwirklicht, was in der menschlichen Form zum Ausdruck kommt, so der Geistesforscher das, was in dem menschlichen Kehlkopf respektive in den angrenzenden Organen durch die Kräfte des Ätherleibes bewirkt wird. Und so entstand die Eurythmie durch Zusammenfügung zunächst der Bewegungen, die die menschlichen Glieder ausmachen können, die ausführen können dasjenige, was der Kehlkopforganismus ausführt, wenn er spricht oder singt.","text_trust":"verbatim","quote_safe":true,"word_count":66,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1918-02-19/p006"},{"locus":"GA 277a/1918-02-19/p007","passage_number":7,"text":"Dann aber lebt in demselben Teil des Bildekräfteleibes des Menschen außer diesem In-Bewegung-sich-Befindlichen noch Zurückgehaltenes, das, was durch unsere Seele zieht, indem wir fühlen, indem wir Willensimpulse empfinden, die in Handlungen übergehen können oder auch nur empfunden werden. Das alles kommt nicht in derselben Weise im Bildekräfteleib des Kehlkopfes zum Ausdruck wie das Wort, der Ton selbst, sondern es kommt so zum Ausdruck, dass es sehr gestaltenhaft ist. Wir tingieren, wir durchdringen unsere Sprache und unser Singen mit dem Willenston. Das geht aber nicht in die Bewegung über, das stockt gewissermaßen die Bewegung. Im Ätherleib ist es so, dass bei einem bestimmten Laut ein Schwung, irgendeine Bewegung ausgeführt wird. Gefühl kommt in die Sache hinein dadurch, dass diese Bewegung in bestimmter Weise abgestumpft wird und in Bewegung eine Form entsteht. Während die Bewegungen des Ätherleibes direkt abgebildet werden durch unsere Eurythmie, wird das, was im natürlichen Sprechen steckt, sich in die Töne ergießt, das wird in der Eurythmie versucht, aufgelöst zu werden, herausgesetzt zu werden. Also, wir setzen in der Eurythmie wirkliche Bewegung um in Bewegungen der menschlichen Gliedlichkeit, oder wir lösen solche Bewegungen, die latent sind, während der Mensch spricht, in wirkliche Bewegungen, in Bewegungen, die dann der menschliche Organismus außerhalb seiner Gliedlichkeit ausführt durch Beugen des Kopfes nach vorwärts und rückwärts, oder dadurch, dass wir Gruppentänze machen. Aber Sie schen, dass, was wir machen, nicht irgendetwas Erfundenes ist, sondern ein Abbild dessen, was im menschlichen Organismus vorliegt. Dadurch geht man zurück wirklich auf die Prinzipien des alten Tempeltanzes; denn alles das, was ursprünglich wirklich Tempelkunst war, hatte zu seinem Prinzip die Durchdringung des menschlichen Lebens mit der Gewalt des Wortes. Aber unter «Wort» wurde nicht das verstanden, was wir verstehen können darunter, sondern die im Sphärenklang die Welt durchtönende Weisheit, die sich auf den verschiedensten Gebieten zum Ausdruck bringt, die einen reinen Ausdruck hat in der menschlichen Sprache, einen etwas abstrakteren Ausdruck im menschlichen Gesang, die eine Vermaterialisierung in der Instrumentalmusik hat, die erlöst werden kann, wenn in der geschilderten Weise der ganze menschliche Organismus in Gestaltung und Bewegung gebracht wird. Das ist eigentlich das Prinzip, um das es sich handelt.","text_trust":"verbatim","quote_safe":true,"word_count":353,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277a/1918-02-19/p007"}],"beads":[{"from":[5],"to":[5],"confidence":"medium","pairing_state":"verified"},{"from":[6],"to":[6],"confidence":"medium","pairing_state":"verified"},{"from":[7],"to":[7],"confidence":"medium","pairing_state":"verified"}],"note":"Paired by the paragraph aligner; each language numbers its own paragraphs. A bead at either end of the span can carry text beyond it (the `from` numbers show what each bead covers)."}}