{"corpus":"steiner","locus":"GA 277b/1919-04-05/p009","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"The truth of these words can be felt when one implements what is otherwise supersensible and invisible in human speech and singing when it is expressed in the movement of the human organism as a whole. What you see here on the stage is partly carried out in the transformation of the movement of the individual human being, but also of groups of people, in such a way that the visible expression of the human larynx is presented through the whole human being. Eurythmy should be a visible speech. Indeed, art and artistic feeling must underlie the whole development of eurythmy. What you will see here has not been derived from dry theory or science, but from Goethe's concept of nature and art, directly translated into feeling. What the individual person presents, in his or her postures and movements, is what is otherwise revealed in the larynx as a predisposition for movement in artistic speech and song. What we present in groups, in the mutual relationship of one person to another in the groups, in the movements of the groups, that is more what then glows through the language as feeling, as inner soul mood, as soul warmth. This is what is present in artistic speech formation as rhyme, as rhythm, as various assonance and so on. Everything that otherwise only passes into the tonal element, into the audible, can be expressively expressed in style through a development and revelation of the whole human being and of groups of people. Stylistically, based on Goethe's words, on the deepest foundations of knowledge, on the essence of things, insofar as it is permitted to us to present it in tangible and visible forms - that is what is attempted here, to feel this highest revelation of the world, this microcosm, the human being, in what lies within him, to present it visibly, like a large larynx.","text_trust":"verbatim","quote_safe":true,"title":"11. Eurythmy Performance","site_heading":null,"date":"1919-04-05","location":null,"word_count":314,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1919-04-05/p009","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19190405e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1919-04-05/p009"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1919-04-05/p009","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1919-04-05","de_passages":[{"locus":"GA 277b/1919-04-05/p009","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1919-04-05/p009"}],"bead_confidence":"medium","length_check":{"de_words":295,"en_words":314,"ratio":1.06,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_completeness":{"ratio":1.04,"band":"comparable","note":null,"word_count":1574,"original_word_count":1516,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19190405e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1919-04-05/p009"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}