{"corpus":"steiner","locus":"GA 277b/1919-08-16/p018","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"I would also like to remind you that in his time, Goethe still wanted to express the formative, actually artistic aspect of the language form. When he rehearsed his “Iphigenia”, he had a baton in his hand so that the language would not be spoken prosaically, but so that the iambs, the rhythm of the language, would really be expressed. which today would be perceived as unnatural, because in our materialistic time the actual artistic feeling has declined and one also wants to emphasize the special content in recitation, in the art of lecturing.","text_trust":"verbatim","quote_safe":true,"title":"19. Eurythmy Performance","site_heading":null,"date":"1919-08-16","location":null,"word_count":94,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1919-08-16/p018","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19190816e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1919-08-16/p018"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1919-08-16/p018","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1919-08-16/p018","passage_number":18,"text":"Auch daran möchte ich noch erinnern, dass Goethe zu seiner Zeit noch durchaus dieses gestaltende, eigentlich Künstlerische der Sprachform zum Ausdruck bringen wollte. Wenn er seine «Iphigenie» einstudierte, hatte er den Taktstock in der Hand, damit nicht prosaisch gesprochen wurde, sondern damit die Jamben, damit der Rhythmus der Sprache wirklich zum Ausdrucke kam - etwas, was man heute als unnatürlich empfinden würde, weil in unserer materialistischen Zeit das eigentlich künstlerische Empfinden zurückgegangen ist und man auch in der Rezitation, in der Vortragskunst das Besondere des Inhalts in den Vordergrund stellen will.","text_trust":"verbatim","quote_safe":true,"word_count":91,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1919-08-16/p018"}],"english":["GA 277b/1919-08-16/p018"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":91,"en_words":94,"ratio":1.03,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.07,"band":"comparable","note":null,"word_count":1907,"original_word_count":1785,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19190816e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1919-08-16/p018"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}