20. Eurythmy Performance

GA 277b/1919-08-17/p017 ·1919-08-17 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Essentially, of course, it depends on the fact that the human being is the highest being on the scale of the organic, of the living, that we know on earth for the time being, and that therefore a truly supreme expression of natural law can come about in him. Therefore, if we educate the human being himself to be an instrument of artistic expression, what Goethe hopes for from human artistic activity can be fulfilled to the highest degree, in that he says: “By being placed at the pinnacle of nature, man in turn produces a pinnacle within himself, taking measure, harmony, order and meaning together, and finally rising to the production of the work of art. In this, Goethe sees something like the solution to the riddle of the world, when humanity can, in the mirror of art, receive back what the world holds in its secrets. And when man regards himself as the instrument of this reflection, then he is evidently fulfilling something that can be understood as a summary of the most diverse artistic motifs.

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Cite: GA 277b/1919-08-17/p017 · edition English