34. Eurythmy Performance

GA 277b/1919-11-23/p014 ·1919-11-23 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

On one side you see the actors, and with them what is taking place on the stage, for certain parts of it the musical element – for the musical element is only another way of expressing what lives in the soul than eurythmy – and again other parts you will find accompanied by recitation, by the artistically formed language of poetry. What is expressed audibly in poetry and recitation is made visible in eurythmy, albeit silently. But the recitation must be taken back to its good old forms. Today recitation has gone astray. In modern life, it is actually the prosaic element that underlies poetry that is given special consideration, not the metrical, rhythmic, or artistic-formal element that underlies the actual poetry. It would not be possible to accompany eurythmy with today's art of recitation.

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Cite: GA 277b/1919-11-23/p014 · edition English