{"corpus":"steiner","locus":"GA 277b/1920-01-17/p012","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"In the recitation that will follow, you will notice a somewhat different approach to the art of recitation than you are otherwise accustomed to – especially in the present day. What can be brought out of poetry through the art of eurythmy is, after all, what is truly artistic. We need only recall how Goethe, even when he rehearsed his dramas, his Iphigenia, with his actors, did so with the baton in his hand – not as one today believes that the main thing lies in reciting the prosaic, in bringing out the content in particular. Rather, these still very artistic natures of Goethe's time – we find something similar in Schiller, something similar in Herder – they knew that the rhythmic, the formal, which underlies the shaping of speech, is the actual element of poetry and that this must be taken into account first and foremost when reciting.","text_trust":"verbatim","quote_safe":true,"title":"40. Eurythmy Performance","site_heading":null,"date":"1920-01-17","location":null,"word_count":149,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-01-17/p012","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200117e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-01-17/p012"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-01-17/p012","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-01-17","de_passages":[{"locus":"GA 277b/1920-01-17/p012","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-01-17/p012"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","anchors","reader"],"reader_german":["GA 277b/1920-01-17/p012"],"length_check":{"de_words":146,"en_words":149,"ratio":1.02,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-01-17/p012","passage_number":12,"text":"In dem Rezitatorischen, das parallel gehen wird, werden Sie eine etwas andere Handhabung der Rezitationskunst bemerken, als Sie sonst gewohnt sind - insbesondere in der Gegenwart. Dasjenige, was gerade durch die eurythmische Kunst aus der Dichtung hervorgeholt werden kann, das ist ja das eigentlich Künstlerische. Man braucht sich nur zu erinnern, wie Goethe, selbst wenn er seine Dramen, seine «Iphigenie» mit seinen Schauspielern einstudiert hat, dies mit dem Taktstock in der Hand gemacht hat - nicht so, wie man heute glaubt, dass die Hauptsache darinnen liegt, im Rezitieren das Prosaische, des Inhaltes besonders hervorzubringen. Sondern diese noch viel künstlerischen Naturen der Goethe-Zeit - wir finden Ähnliches auch bei Schiller, Ähnliches bei Herder -, sie wussten, dass das Taktmäßige, das Rhythmusmäßige, überhaupt das Formale, das der Sprachgestaltung zugrunde liegt, das das eigentliche Element der Dichtkunst ist und dass das in erster Linie beim Rezitieren berücksichtigt werden muss.","text_trust":"verbatim","quote_safe":true,"word_count":146,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-01-17/p012"}],"english":["GA 277b/1920-01-17/p012"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":146,"en_words":149,"ratio":1.02,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","anchors","reader"],"reader_german":["GA 277b/1920-01-17/p012"]},"witness_completeness":{"ratio":1.05,"band":"comparable","note":null,"word_count":1667,"original_word_count":1581,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200117e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-01-17/p012"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}