{"corpus":"steiner","locus":"GA 277b/1920-01-18/p006-p008","extent":"range","passage_number":6,"through":8,"paragraph_count":3,"first_locus":"GA 277b/1920-01-18/p006","last_locus":"GA 277b/1920-01-18/p008","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"title":"41. Eurythmy Performance","date":"1920-01-18","location":null,"alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200118e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"witness_completeness":{"ratio":1.03,"band":"comparable","note":null,"word_count":1685,"original_word_count":1639,"may_be_abridged":false},"site_heading":null,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-01-18/p006-p008","json_url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-01-18/p006-p008.json","lecture_url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-01-18#p006","word_count":551,"quote_safe":true,"passages":[{"passage_number":6,"locus":"GA 277b/1920-01-18/p006","text":"You are able to do this, dear attendees, because the lawful connection that exists between what is revealed in audible speech and the whole being of the human being can indeed be found, but only if one delves deeper into what I would like to call here: Goethe's view of art, Goethe's artistic attitude. The person who, to use this Goethean expression, can use sensuous-supersensuous observation to place himself in the essence of the human form and the movements that are inherent in the human form as an organism, can know that the organization of the larynx, and how this organization is connected with neighboring organs, contains, so to speak, a repetition of everything that is present in the other organs of the whole human being, so that this organization tends towards the movements.","text_trust":"verbatim","quote_safe":true,"word_count":134,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-01-18/p006","german_anchor":{"de_prefix":"1920-01-18","de_passages":[{"locus":"GA 277b/1920-01-18/p006","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-01-18/p006"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":130,"en_words":134,"ratio":1.03,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200118e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-01-18/p006"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}},{"passage_number":7,"locus":"GA 277b/1920-01-18/p007","text":"But also otherwise, when we study the nature of the sounds that you can make, we find a connection between the formation and especially between the way in which these sounds are placed in the world, and between the production and transformation of sounds. The one who truly possesses the gift of perceiving with both the senses and the supersenses will intuitively see a connection between the structure and, in particular, the movements as they reveal themselves from the entire muscle system, say, in the case of predators and their roar. Or one will intuitively discover an intimate connection between the way a bird sails on the waves of the air and the kind of intense inner movement that comes to expression in its tone production and tone transformation. If one studies this mysterious connection between movement and tone production in nature, one can also extend such a study to the human being. And then one penetrates ever further and further into that which really lives far below the threshold of ordinary consciousness: into the connection between human movement and audible speech. One can study the movement of the larynx, the tongue, the palate and so on and so on. You can study how these movements are transmitted to the vibrations of the air – as I speak here, the air is in motion. You can then study how everything else that a person can do can become an expression of a similar kind, just as sound becomes an expression of human soul experiences.","text_trust":"verbatim","quote_safe":true,"word_count":254,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-01-18/p007","german_anchor":{"de_prefix":"1920-01-18","de_passages":[{"locus":"GA 277b/1920-01-18/p007","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-01-18/p007"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":244,"en_words":254,"ratio":1.04,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200118e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-01-18/p007"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}},{"passage_number":8,"locus":"GA 277b/1920-01-18/p008","text":"In our audible speech, two things flow together: thoughts, as it were, from the head, and will from the whole human being. The fact that thoughts come from the head makes our speech somewhat inartistic. For the artistic is all the more profound the less it has content of thought, the more we penetrate directly into the secrets of things, without the mediation of thought. But if we omit the element of thought from audible speech, we come more and more to understand how speech is based on the movement potentialities contained in the human vocal organ. Then we can transfer this to the mobility that exists in the whole human organism. In this way, when we bring movement and mobility into the human being to such an extent that these movements of the whole body reveal something similar to the movements of the larynx and its neighboring organs, the whole human being, or a group of people, becomes a living, moving larynx.","text_trust":"verbatim","quote_safe":true,"word_count":163,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-01-18/p008","german_anchor":{"de_prefix":"1920-01-18","de_passages":[{"locus":"GA 277b/1920-01-18/p008","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-01-18/p008"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":163,"en_words":163,"ratio":1.0,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200118e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-01-18/p008"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}],"witnesses":[{"lang":"de","edition":"original","is_original":true,"is_default_edition":true,"first_passage":1,"last_passage":14,"passage_count":14,"word_count":1639},{"lang":"en","edition":"English","is_original":false,"is_default_edition":true,"first_passage":1,"last_passage":14,"passage_count":14,"word_count":1685,"completeness":{"ratio":1.03,"band":"comparable","note":null}}],"aligned_witness":{"status":"aligned","lang":"de","edition":"original","confidence":"medium","passages":[{"locus":"GA 277b/1920-01-18/p006","passage_number":6,"text":"Das können Sie aus dem Grunde, meine sehr verehrten Anwesenden, weil in der Tat jener gesetzmäßige Zusammenhang, der besteht zwischen dem, was in der hörbaren Sprache sich offenbart, und dem ganzen Wesen des Menschen gefunden werden kann, allerdings nur gefunden werden kann, wenn man tiefer in das eindringt, was ich hier nennen möchte: Goethe’sche Kunstanschauung, Goethe’sche künstlerische Gesinnung. Derjenige, der - um diesen Goethe’schen Ausdruck zu gebrauchen - mit sinnlich-übersinnlichem Schauen sich versetzen kann in das Wesen der menschlichen Form und der Bewegungen, welche in der menschlichen Form als Organismus veranlagt sind, der kann wissen, dass in der Kehlkopforganisation, wie diese Organisation zusammenhängt mit den Nachbarorganen, enthalten ist gewissermaßen eine Wiederholung alles desjenigen, was an Organen noch sonst im ganzen Menschen vorhanden ist, sodass diese Organisation auf die Bewegungen hintendiert.","text_trust":"verbatim","quote_safe":true,"word_count":130,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-01-18/p006"},{"locus":"GA 277b/1920-01-18/p007","passage_number":7,"text":"Aber auch sonst, wenn wir das Wesen der Töne, die Sie von sich geben können, studieren, so finden wir zwischen der Gestaltung und namentlich zwischen der Art und Weise, wie sich diese wiederum in die Welt hineinstellen, und zwischen der Tongebung und Tonwandlung einen Zusammenhang. Derjenige, der eben wirklich sinnlichübersinnliches Schauen besitzt, der wird intuitiv einen Zusammenhang schauen zwischen dem Bau und namentlich den Bewegungen, wie sie aus dem ganzen Muskelsystem heraus sich offenbaren, sagen wir bei den Raubtieren und ihrem Brüllen. Oder man wird einen intimen Zusammenhang intuitiv entdecken zwischen der Art, wie der Vogel auf den Wellen der Lüfte hinsegelt und demjenigen, was an innerlich intensiver Bewegung in seiner Tongebung und Tonwandlung zum Vorschein kommt. Studiert man nach und nach in der Natur diesen geheimnisvollen Zusammenhang zwischen Bewegung und Tongebung, so kann man ein solches Studium auch auf den Menschen ausdehnen. Und man dringt dann immer weiter und weiter ein in das, was wirklich weit unter der Schwelle des gewöhnlichen Bewusstseins lebt: in den Zusammenhang zwischen menschlicher Bewegung und zwischen menschlichem hörbaren Sprechen. Man kann studieren die Bewegungsanlagen des Kehlkopfes, der Zunge, des Gaumens und so weiter und so weiter. Man kann studieren, wie diese Bewegungsanlagen sich übertragen den Schwingungen der Luft - während ich spreche hier, ist die Luft in Bewegung. Man kann dann studieren, wie alles, was sonst der Mensch an Bewegungen ausführen kann, zu einem Ausdrucke ähnlicher Art werden kann, wie der Ton zum Ausdruck der menschlichen Seelenerlebnisse wird.","text_trust":"verbatim","quote_safe":true,"word_count":244,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-01-18/p007"},{"locus":"GA 277b/1920-01-18/p008","passage_number":8,"text":"In unserer hörbaren Sprache fließen zwei Dinge zusammen: die Gedanken gleichsam von der Kopfseite her und der Wille vom ganzen Menschen her. Dadurch, dass die Gedanken von der Kopfseite herkommen, ist unsere Sprache etwas Unkünstlerisches. Denn das Künstlerische ist umso tiefer, je weniger es Gedankeninhalt hat, je mehr wir unmittelbar - ohne durch die Vermittlung des Gedankens - in die Geheimnisse der Dinge eindringen. Lassen wir aber das Gedankenelement aus der hörbaren Sprache weg, so kommen wir immer mehr und mehr darauf, wie der Sprache dasjenige unterliegt, was an Bewegungsanlagen im menschlichen Stimmorgan enthalten ist. Dann können wir das übertragen auf die Anlagen, die im ganzen menschlichen Organismus für Beweglichkeit vorhanden sind. Dadurch wird gewissermaßen - wenn wir den Menschen in solche Bewegungen und Beweglichkeit bringen, dass diese Bewegungen des ganzen Leibes in einer Art eben solche Offenbarungen [sind], wie sonst die Bewegungsanlagen des Kehlkopfes und seiner Nachbarorgane -, dadurch wird der ganze Mensch, oder eine Menschengruppe zu einem lebendig sich bewegenden Kehlkopf.","text_trust":"verbatim","quote_safe":true,"word_count":163,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-01-18/p008"}],"beads":[{"from":[6],"to":[6],"confidence":"medium","pairing_state":"verified"},{"from":[7],"to":[7],"confidence":"medium","pairing_state":"verified"},{"from":[8],"to":[8],"confidence":"medium","pairing_state":"verified"}],"note":"Paired by the paragraph aligner; each language numbers its own paragraphs. A bead at either end of the span can carry text beyond it (the `from` numbers show what each bead covers)."}}