{"corpus":"steiner","locus":"GA 277b/1920-02-07/p011","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"The opposite is the case with eurythmy. There, thoughts are suppressed and movements occur. Precisely the will element - in contrast to the thought element - occurs. Therefore, I would say that while everything that wants to delve more deeply into the spoken language leads back to the dream-like element, here in eurythmy there is a complete awakening, an over-awakening. Therefore, there is nothing more to be fought in this eurythmy than any tendency towards the mystical, the hazy, the dreamy. The opposite of the dreamy, the fully conscious movement in artistic forms is what is striven for here. There must be nothing arbitrary about it. So that you do not think, for example, that what you see as the silent language of eurythmy when a poem is recited here are randomly invented forms or gestures. When two groups or two individuals perform the same thing in eurythmy in different places, the individual differences cannot be any different than when the same sonata is performed in different places. Nothing is based on arbitrary pantomime, nothing on arbitrary gestures, but just as music has a lawful sequence in its melodic elements, so here everything is in the sequence of the movements. It is a silent, moving music, this eurythmy.","text_trust":"verbatim","quote_safe":true,"title":"46. Eurythmy Performance","site_heading":null,"date":"1920-02-07","location":null,"word_count":208,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-07/p011","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200207e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-07/p011"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-07/p011","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-02-07","de_passages":[{"locus":"GA 277b/1920-02-07/p011","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-07/p011"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":206,"en_words":208,"ratio":1.01,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-02-07/p011","passage_number":11,"text":"Das Entgegengesetzte ist hier bei der Eurythmie der Fall. Da werden die Gedanken unterdrückt und die Bewegungen treten auf. Gerade das Willenselement - im Gegensatze zum Gedankenelement - tritt auf. Daher ist - ich möchte sagen, während alles dasjenige, was mehr in die gesprochene Sprache hinein sich versenken will, wiederum zum traumhaften Element zurückführt - hier bei der Eurythmie ein vollständiges Aufwachen, ein Über-Aufwachen geradezu eigentlich vorhanden. Daher ist nichts mehr zu bekämpfen auch bei dieser Eurythmie, als alles Hinneigen zum Mystisch-Verschwommenen, zum Träumerischen. Das Gegenteil vom Träumerischen, das vollbewusste Bewegen in künstlerischen Formen wird hier gerade angestrebt. Es darf nichts Willkürliches sein. Sodass Sie nicht etwa denken könnten, dasjenige, was Sie, während ein Gedicht hier rezitiert wird, als die stumme Sprache der Eurythmie sehen, das seien zufällig erfundene Formen oder Gebärden. Wenn zwei Gruppen oder zwei Menschen eurythmisch ein und dasselbe an verschiedenen Orten darstellen, so kann der individuelle Unterschied nicht anders sein, als wenn ein und dieselbe Sonate an verschiedenen Orten dargeboten wird. Es beruht nichts auf irgendeinem willkürlich Pantomimischen, nichts auf willkürlichen Gesten, sondern wie die Musik in ihrem melodiösen Elemente eine gesetzmäßige Aufeinanderfolge hat, so hier alles in der Aufeinanderfolge der Bewegungen. Es ist eine stumme, in sich bewegte Musik, diese Eurythmie.","text_trust":"verbatim","quote_safe":true,"word_count":206,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-07/p011"}],"english":["GA 277b/1920-02-07/p011"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":206,"en_words":208,"ratio":1.01,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.03,"band":"comparable","note":null,"word_count":2416,"original_word_count":2338,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200207e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-02-07/p011"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}