46. Eurythmy Performance
Therefore, I ask you to pay particular attention to how we work our way out of the beginning. But today we are actually still at the beginning, even if we have come a little further than we were six months ago. At the beginning, there was still something mimic here or there in our performances. Now you will see for yourselves in the grotesques that we present how all mime in our performances is avoided, how the forms are actually found out of similar soul impulses as any text to harmonious or melodious music is even found.
Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/277b/1920-02-07/p012.json
Cite:
Cite:
GA 277b/1920-02-07/p012 · edition English