{"corpus":"steiner","locus":"GA 277b/1920-02-08/p008","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"What can be shaped as the movement system that, when excited, moves the air in the speech sounds, can be transferred to the whole person. So here on stage, you have, as it were, the individual person or whole groups of people with everything that goes with them, like a large walking larynx in the silent language that this eurythmy speaks. Eurythmy is therefore a silent language that is formed according to the same laws as spoken language. However, it must be taken into account that when the movements of the larynx and its neighboring organs are transmitted to the air, the movement impulses are converted into movements at the lowest speed, so that the individual movement is not perceived. Strangely enough – one can, of course, find a more fortunate word for what I want to say – strangely enough, one can now find that the volitional element that works in man behaves in such an agitating way towards the movements of the individual limbs of the human organism, which of course naturally offer greater resistance, and therefore have to move more slowly – and not, in a manner imperceptible to the eyes, to cause only audible movements, but visible ones. of the human organism, which naturally offer greater resistance and therefore have to move more slowly – and not, as is imperceptible to the eyes, to evoke only audible movements, but to evoke visible movements. This transformation, this metamorphosis of what takes place in the human speech organs into movements of the whole human organism, that is our eurythmy.","text_trust":"verbatim","quote_safe":true,"title":"47. Eurythmy Performance","site_heading":null,"date":"1920-02-08","location":null,"word_count":261,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-08/p008","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200208e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-08/p008"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-08/p008","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-02-08","de_passages":[{"locus":"GA 277b/1920-02-08/p008","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-08/p008"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":205,"en_words":261,"ratio":1.27,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-02-08/p008","passage_number":8,"text":"Dasjenige, was nun gestaltet werden kann als jene Bewegungsanlage, welche erregt die Bewegungen der Luft in der Tonsprache, das kann übertragen werden auf den ganzen Menschen. Sodass Sie hier auf der Bühne gewissermaßen den einzelnen Menschen oder ganze Menschengruppen mit allem, was dazu gehört, wie einen großen wandelnden Kehlkopf in der stummen Sprache, die diese Eurythmie spricht, haben. Daher ist Eurythmie eine stumme Sprache, die nach denselben Gesetzmäßigkeiten gebildet ist wie die Lautsprache. Nur muss dabei berücksichtigt werden, dass, wenn die Bewegungsanlagen des Kehlkopfes und seiner Nachbarorgane auf die Luft übertragen werden, so setzen sich die Bewegungserregungen in Bewegungen mit kleinster Geschwindigkeit um, sodass nicht die einzelne Bewegung wahrgenommen wird. Merkwürdigerweise - man kann ja selbstverständlich ein glücklicheres Wort dafür finden, für das, was ich sagen will -, merkwürdigerweise kann man nun finden, dass das Willenselement, das im Menschen wirkt, so sich erregend verhält zu den Bewegungen der einzelnen Glieder des menschlichen Organismus, die ja natürlich einen größeren Widerstand entgegensetzen, daher langsamer sich bewegen müssen — und nicht, um, sinnlich für die Augen unwahrnehmbar, nur zu hörende Bewegungen hervorzurufen, sondern sichtbare Bewegungen hervorrufen können. Diesen Umschwung, diese Metamorphosierung desjenigen, was in den menschlichen Lautorganen vorgeht, in Bewegungen des ganzen menschlichen Organismus, das ist unsere Eurythmie.","text_trust":"verbatim","quote_safe":true,"word_count":205,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-08/p008"}],"english":["GA 277b/1920-02-08/p008"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":205,"en_words":261,"ratio":1.27,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.05,"band":"comparable","note":null,"word_count":2646,"original_word_count":2521,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200208e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-02-08/p008"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}