{"corpus":"steiner","locus":"GA 277b/1920-02-08/p015","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"With truly great poets, let us say with Schiller, for example, we find that with his most significant poems he did not have the literal content in his soul first – that only came later – but rather a kind of indeterminate, melodious element that was there like a ladder, to which the words then joined. And as we know, Goethe rehearsed his “Iphigenia” with his actors himself, baton in hand like a conductor.","text_trust":"verbatim","quote_safe":true,"title":"47. Eurythmy Performance","site_heading":null,"date":"1920-02-08","location":null,"word_count":74,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-08/p015","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200208e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-08/p015"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-08/p015","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-02-08","de_passages":[{"locus":"GA 277b/1920-02-08/p015","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-08/p015"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"],"length_check":{"de_words":81,"en_words":74,"ratio":0.91,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-02-08/p015","passage_number":15,"text":"Bei wirklichen großen Dichtern, sagen wir zum Beispiel bei Schiller, wird man finden, dass er bei seinen gerade bedeutsamsten Gedichten nicht den wortwörtlichen Inhalt zuerst in der Seele hatte - der fand sich erst später dazu ein -, sondern eine Art unbestimmtes, melodiöses Element, das wie eine Leiter da war, zu dem sich die Worte dann erst hinzufanden. Und Goethe hat ja, wie man weiß, seine «Iphigenie» mit seinen Schauspielern selbst mit dem Taktstock in der Hand wie ein Kapellmeister einstudiert.","text_trust":"verbatim","quote_safe":true,"word_count":81,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-08/p015"}],"english":["GA 277b/1920-02-08/p015"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":81,"en_words":74,"ratio":0.91,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"]},"witness_completeness":{"ratio":1.05,"band":"comparable","note":null,"word_count":2646,"original_word_count":2521,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200208e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-02-08/p015"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}