{"corpus":"steiner","locus":"GA 277b/1920-02-08/p017","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Therefore, we must also refrain from the art of recitation, which is still so popular today, and which places the main emphasis on the prose content of the poetry, on its emphasis and its form, but we must place emphasis on overcoming this in the art of recitation and to return to the understanding of rhythm and meter in recitation and declamation – the actual artistic element that underlies the literal content and which, in reality, is the aesthetic element in poetry.","text_trust":"verbatim","quote_safe":true,"title":"47. Eurythmy Performance","site_heading":null,"date":"1920-02-08","location":null,"word_count":82,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-08/p017","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200208e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-08/p017"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-08/p017","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-02-08","de_passages":[{"locus":"GA 277b/1920-02-08/p017","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-08/p017"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":80,"en_words":82,"ratio":1.02,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-02-08/p017","passage_number":17,"text":"Daher müssen wir auch absehen von der heute noch so beliebten Rezitationskunst, die auf den Prosainhalt den Hauptwert legt, auf den Prosainhalt der Dichtung, auf seine Betonung, seine Gestaltung den Hauptwert legt, sondern wir müssen Wert darauf legen, dies in der Rezitationskunst zu überwinden und wiederum zurückzukehren im Rezitieren und Deklamieren auf das Auffassen von Rhythmus, Takt - das eigentlich Künstlerische, das dem wortwörtlichen Inhalt zugrunde liegt und was eben in Wirklichkeit doch das ästhetische Element in der Dichtung ist.","text_trust":"verbatim","quote_safe":true,"word_count":80,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-08/p017"}],"english":["GA 277b/1920-02-08/p017"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":80,"en_words":82,"ratio":1.02,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.05,"band":"comparable","note":null,"word_count":2646,"original_word_count":2521,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200208e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-02-08/p017"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}