48. Eurythmy Performance

GA 277b/1920-02-14/p015 ·1920-02-14 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Now in eurythmy, the thought element is completely suppressed. Only that which underlies poetic language as meter, as rhythm, as form, in short, as a plastic and musical element, is transferred into the movements. And this can be done by not speaking phonetically, but by having the whole person or groups of people perform those movements, which are otherwise only present in the larynx and its neighboring organs, as regularly as the larynx otherwise transmits them to the air, so that one then has the will element - opposing it, the muscular organization of the human being.

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Cite: GA 277b/1920-02-14/p015 · edition English