{"corpus":"steiner","locus":"GA 277b/1920-02-22/p005","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"[Eurythmy is] an art form that initially uses the human being as its means of expression and draws from very special sources. Like everything that is to come through the spiritual movement, of which this structure seeks to be a representative, the eurythmic art also arises from Goethe's view of art and, in particular, from his artistic ethos. You will see, ladies and gentlemen, all kinds of movements of the human organism itself, namely movements of the limbs of the human organism. But you will also see movements that the personalities, which are arranged in groups, perform against and with each other. All these movements, which in their totality should represent a kind of silent language, are acquired in a very special way, and I can perhaps only describe the nature, the laws by which this art is acquired, by pointing out that the basic impulse behind this eurythmic art is rooted in the endeavors of the most ambitious artistic elements of the present.","text_trust":"verbatim","quote_safe":true,"title":"51. Eurythmy Performance","site_heading":null,"date":"1920-02-22","location":null,"word_count":164,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p005","alignment_confidence":"medium","alignment_reason":"beads:structural_identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p005"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p005","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-02-22","de_passages":[{"locus":"GA 277b/1920-02-22/p005","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p005"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":181,"en_words":164,"ratio":0.91,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-02-22/p005","passage_number":5,"text":"[Eurythmie ist] eine Kunstform, die sich zunächst des Menschen selbst als ihres Ausdrucksmittels bedient und die aus ganz besonderen Quellen schöpft. Wie alles dasjenige, was durch die Geistesbewegung kommen soll, für welche dieser Bau hier der Repräsentant sein will, entspringt auch diese eurythmische Kunst Goethe’scher Kunstanschauung und namentlich Goethe’scher Kunstgesinnung. Sie werden, meine sehr verehrten Anwesenden, allerlei Bewegungen sehen des menschlichen Organismus selbst, Bewegungen namentlich der Gliedmaßen des menschlichen Organismus. Sie werden aber auch sehen Bewegungen, welche die Persönlichkeiten, die in Gruppen zusammengeordnet sind, gegeneinander und miteinander ausführen. Alle diese Bewegungen, die in ihrer Gesamtheit eine Art von stummer Sprache darstellen sollen, sind auf eine ganz besondere Weise gewonnen, und ich kann vielleicht über die Art, die Gesetzmäßigkeit, von der diese Kunst gewonnen ist, nicht anders sprechen, als indem ich darauf aufmerksam mache, dass schließlich der Grundantrieb zu dieser eurythmischen Kunst - der ja allerdings im Zusammenhang steht mit all den Kunstformen, die man sonst an unserem Bau hier schaut -, dass der Grundantrieb zu dieser eurythmischen Kunst mitten drinnen steht in den Bestrebungen gerade der strebsamsten künstlerischen Elemente der Gegenwart.","text_trust":"verbatim","quote_safe":true,"word_count":181,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p005"}],"english":["GA 277b/1920-02-22/p005"],"method":"structural_identity","confidence":"medium","correspondence":"unverified","length_check":{"de_words":181,"en_words":164,"ratio":0.91,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.01,"band":"comparable","note":null,"word_count":3449,"original_word_count":3426,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-02-22/p005"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}