{"corpus":"steiner","locus":"GA 277b/1920-02-22/p006","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Anyone who familiarizes themselves a little with what is alive in every artistic endeavor today – which, incidentally, has been evident for decades – will have to say to themselves: Everywhere, one can see the conviction that it is no longer possible to continue in the old artistic ways in any field of art, that it is necessary everywhere to reach for new means of artistic expression, and that it is also necessary to seek the sources that represent the artistic in a new form. It was realized decades ago that painting, for example, could not continue in the old ways, even if they are Raphael's or Michelangelo's art. And why was that realized? Certainly, what emerged from Raphael, Michelangelo or any other epigone's time and was executed with their artistic means was something extraordinarily magnificent and powerful. But when any artistic direction, any artistic trend within human development lasts for a while, then the means of expression are somewhat depleted. Then, especially in artistic natures, the need arises for new means of expression. For the means of expression themselves are, after some time, thoroughly absorbed into the human world of thought, into the world of ideas.","text_trust":"verbatim","quote_safe":true,"title":"51. Eurythmy Performance","site_heading":null,"date":"1920-02-22","location":null,"word_count":197,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p006","alignment_confidence":"medium","alignment_reason":"beads:structural_identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p006"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p006","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-02-22","de_passages":[{"locus":"GA 277b/1920-02-22/p006","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p006"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"],"length_check":{"de_words":201,"en_words":197,"ratio":0.98,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-02-22/p006","passage_number":6,"text":"Wer sich ein wenig bekannt macht mit dem, was heute bei jeder künstlerischen Bestrebung lebt - übrigens sich schon zeigte seit Jahrzehnten -, der wird sich sagen müssen: Überall ist zu bemerken die Überzeugung, dass in den alten Bahnen des Künstlerischen auf keinem Gebiete der Kunst eigentlich fortgefahren werden könne, dass überall es notwendig sei, nach neuen künstlerischen Ausdrucksmitteln zu greifen, und dass cs auch notwendig sci, die Quellen, welche das Künstlerische darstellen, in einer neuen Form zu suchen. Man hat die Überzeugung gewonnen, schon vor Jahrzehnten, dass zum Beispiel die Malerei in den alten Bahnen - selbst nicht, wenn sie Raffael’sche oder Michelangelo’sche Kunst sind - nicht fortfahren könne, Und aus welchem Grunde hat man das gefunden? Ganz gewiss ist dasjenige, was zu Raffaels, Michelangelos oder irgendeiner Epigonen-Zeit aus ihren Kunstquellen hervorgegangen ist und mit ihren Kunstmitteln ausgeführt worden ist, etwas ganz außerordentlich Großartiges, Gewaltiges gewesen. Aber wenn irgendeine künstlerische Richtung, eine künstlerische Strömung innerhalb der Menschheitsentwicklung eine Zeitlang dauert, dann werden die Ausdrucksmittel in einer gewissen Weise abgebraucht. Dann tritt insbesondere bei künstlerischen Naturen das Bedürfnis auf nach neuen Ausdrucksmitteln. Denn die Ausdrucksmittel selbst werden nach einiger Zeit durchaus in Anspruch genommen von der menschlichen Gedankenwelt, von der Ideenwelt.","text_trust":"verbatim","quote_safe":true,"word_count":201,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p006"}],"english":["GA 277b/1920-02-22/p006"],"method":"structural_identity","confidence":"medium","correspondence":"unverified","length_check":{"de_words":201,"en_words":197,"ratio":0.98,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","anchors","audit"]},"witness_completeness":{"ratio":1.01,"band":"comparable","note":null,"word_count":3449,"original_word_count":3426,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-02-22/p006"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}