{"corpus":"steiner","locus":"GA 277b/1920-02-22/p010","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"This has led to things that are extremely interesting for those who look at the matter artistically. For those who look at it in an amateurish or dilettantish way, or look at it according to the usual recipe with which unartistic natures often look at the artistic, by saying: What does this depict? What is the meaning of this? — which is the most unartistic way of looking at it —, in such people the feeling arose that with such newer attempts nothing was achieved, except that someone, let's say, wants to express an inner liberating, redeeming feeling through the medium of painting. And what he then brings onto the canvas, well, let's say it's somehow a rigged ship or it's pieces of laundry hung on ropes or something like that. As I said, the one who does not look at these things in the right light just asks: What does it mean? He does not let himself be carried by what is there into the inner experience. And so far, experience has shown that even the means of artistic expression, the treatment of colors in painting, for example, are not enough to immediately round off the inner experience into a picture, to present it as a picture.","text_trust":"verbatim","quote_safe":true,"title":"51. Eurythmy Performance","site_heading":null,"date":"1920-02-22","location":null,"word_count":208,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p010","alignment_confidence":"medium","alignment_reason":"beads:structural_identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p010"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p010","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-02-22","de_passages":[{"locus":"GA 277b/1920-02-22/p010","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p010"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":191,"en_words":208,"ratio":1.09,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. 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Und was er dann auf die Leinwand malerisch bringt, na, das ist - sagen wir irgendwie ein aufgetakeltes Schiff oder es sind auf Stricke gehängte Wäschestücke oder dergleichen. Wie gesagt, derjenige, der diese Dinge nicht im rechten Lichte betrachtet, der fragt eben: Was bedeutet das? Er lässt sich nicht tragen von dem, was da ist, in das innere Erlebnis hinein. Und so hat man bis jetzt die Erfahrung machen müssen, dass auch da die künstlerischen Ausdrucksmittel, die Behandlung der Farben zum Beispiel in der Malerei, nicht ausreichen, um das innere Erlebnis unmittelbar zum Bilde zu runden, es hinzustellen als Bild.","text_trust":"verbatim","quote_safe":true,"word_count":191,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p010"}],"english":["GA 277b/1920-02-22/p010"],"method":"structural_identity","confidence":"medium","correspondence":"unverified","length_check":{"de_words":191,"en_words":208,"ratio":1.09,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.01,"band":"comparable","note":null,"word_count":3449,"original_word_count":3426,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-02-22/p010"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. 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