{"corpus":"steiner","locus":"GA 277b/1920-02-22/p011","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"You have to have felt all this at some point, this struggle for new artistic means and, above all, this struggle for access to the sources of art, for such access that represents something new in contrast to the old, well-trodden paths. Then you come to perhaps trying what we have tried here in the building, for example: to get out of the forms themselves and also out of the colors - without reproducing, without the idea of a model - what the picture should be. But I do believe that a kind of example, just one example of the use of particular artistic means, can achieve something that can express something that can possibly be expressed, and that this can be achieved through eurythmy, through this silent language that has emerged in the following way.","text_trust":"verbatim","quote_safe":true,"title":"51. Eurythmy Performance","site_heading":null,"date":"1920-02-22","location":null,"word_count":136,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p011","alignment_confidence":"medium","alignment_reason":"beads:structural_identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p011"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p011","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-02-22","de_passages":[{"locus":"GA 277b/1920-02-22/p011","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p011"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":128,"en_words":136,"ratio":1.06,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-02-22/p011","passage_number":11,"text":"Das alles muss man einmal empfunden haben, dieses Ringen nach neuen Kunstmitteln und vor allen Dingen dieses Ringen nach einem Zugang zu den Kunstquellen, nach einem solchen Zugang, der eben als solcher etwas Neues darstellt gegenüber den alten ausgefahrenen Bahnen. Dann kommt man dazu, vielleicht das zu versuchen, was wir zum Beispiel hier im Bau versucht haben: Aus den Formen selbst heraus dasjenige zu holen und auch aus den Farben - ohne nachzubilden, ohne Modellgedanken - dasjenige zu holen, was Bild sein soll. Aber ich glaube, dass eine Art Beispiel, nur ein Beispiel für die Verwendung von besonderen Kunstmitteln, die dann eben etwas, was möglicherweise ausgedrückt werden kann, ausdrücken können, dass dies durch die Eurythmie erreicht werden kann, durch diese stumme Sprache, die auf folgende Weise entstanden ist.","text_trust":"verbatim","quote_safe":true,"word_count":128,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p011"}],"english":["GA 277b/1920-02-22/p011"],"method":"structural_identity","confidence":"medium","correspondence":"unverified","length_check":{"de_words":128,"en_words":136,"ratio":1.06,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.01,"band":"comparable","note":null,"word_count":3449,"original_word_count":3426,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-02-22/p011"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}