{"corpus":"steiner","locus":"GA 277b/1920-02-22/p015","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"If one were to base it on facial expressions or pantomime, then only prosaic elements would actually be possible; nothing truly artistic would be able to be expressed through this eurythmy. But that is not what we are aiming for. All that is mere pantomime is excluded here. Everything is based on an inner law, just as the melodic element in music is based on an inner law of succession in time. It is music in motion, music that expresses itself in movements instead of sounds. So that if one had two different presentations in two different places and the same thing were to be presented eurythmically, there would be no arbitrariness in it, but just as much difference in the individual presentation as one and the same sonata could be played individually differently in two different places.","text_trust":"verbatim","quote_safe":true,"title":"51. Eurythmy Performance","site_heading":null,"date":"1920-02-22","location":null,"word_count":138,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p015","alignment_confidence":"medium","alignment_reason":"beads:structural_identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p015"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p015","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-02-22","de_passages":[{"locus":"GA 277b/1920-02-22/p015","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p015"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":130,"en_words":138,"ratio":1.06,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-02-22/p015","passage_number":15,"text":"Würde man Mimisches, Pantomimisches zugrunde legen, so würde doch eigentlich nur Prosaisches möglich, es würde nicht eigentlich direkt Künstlerisches durch diese Eurythmie zum Ausdrucke kommen können. Aber das ist auch gar nicht anzustreben. Alles dasjenige, was bloße pantomimische Augenblicksgesten sind, ist hier ausgeschaltet. Alles beruht auf einer inneren Gesetzmäßigkeit wie das melodiöse Element in der Musik auf innerer Gesetzmäßigkeit in der Zeitenaufeinanderfolge beruht, [es ist] eine bewegte Musik, eine Musik, die statt in Tönen in Bewegungen sich zum Ausdrucke bringt. Sodass, wenn man zwei verschiedene Darstellungen an zwei verschiedenen Orten hätte und ein und dieselbe Sache eurythmisch dargestellt werden würde, so würde keine Willkür darinnen sein, sondern gerade nur so viel Unterschied in der individuellen Darbietung, wie ein und dieselbe Sonate an zwei verschiedenen Orten individuell verschieden gespielt werden könnte.","text_trust":"verbatim","quote_safe":true,"word_count":130,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p015"}],"english":["GA 277b/1920-02-22/p015"],"method":"structural_identity","confidence":"medium","correspondence":"unverified","length_check":{"de_words":130,"en_words":138,"ratio":1.06,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.01,"band":"comparable","note":null,"word_count":3449,"original_word_count":3426,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-02-22/p015"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}