{"corpus":"steiner","locus":"GA 277b/1920-02-22/p022","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Eurythmy is particularly suitable for that which underlies the living activity of all nature in the world. For the eurythmic art has the peculiarity that it can bring to view that which painting seeks when it wants to bring inner soul experiences to view, but for which there is still no means of expression today. I am not saying that this element cannot be found, but that it can be expressed well today by making the human being himself, with his movements and the whole structure of his organism, into a living larynx. In the silent language of the art of eurythmy, this is shown by the fact that the human being appears in their ensouled element, so that the sensory is also supersensory: the human being represents the sensory, but at the same time also the supersensory.","text_trust":"verbatim","quote_safe":true,"title":"51. Eurythmy Performance","site_heading":null,"date":"1920-02-22","location":null,"word_count":138,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p022","alignment_confidence":"medium","alignment_reason":"beads:structural_identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p022"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-02-22/p022","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-02-22","de_passages":[{"locus":"GA 277b/1920-02-22/p022","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p022"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":137,"en_words":138,"ratio":1.01,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-02-22/p022","passage_number":22,"text":"Besonders für dasjenige, was dem lebendigen Schaffen der ganzen Natur in der Welt unmittelbar zugrunde liegt überhaupt, lässt sich ganz besonders gut das Eurythmische verwenden. Denn die eurythmische Kunst hat eben das Eigentümliche, dass sie dasjenige, was die Malerei sucht, wenn sie innere Seelenerlebnisse zur Anschauung bringen will, wofür aber heute noch kein Ausdrucksmittel da ist, zur Anschauung bringen kann. Ich will nicht sagen, dass dieses Element sich nicht finden ließe, aber dass dies dadurch schon heute gut ausgedrückt werden kann, dass der Mensch selber mit seinen Bewegungen in der ganzen Anlage seines Organismus zum lebendigen Kehlkopf gemacht wird. In der stummen Sprache der eurythmischen Kunst zeigt [es] sich dadurch, dass der Mensch in seinem beseelten Element auftritt, sodass das Sinnliche auch übersinnlich ist: Der Mensch, der darstellt das Sinnliche, aber zu gleicher Zeit auch das Übersinnliche.","text_trust":"verbatim","quote_safe":true,"word_count":137,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-02-22/p022"}],"english":["GA 277b/1920-02-22/p022"],"method":"structural_identity","confidence":"medium","correspondence":"unverified","length_check":{"de_words":137,"en_words":138,"ratio":1.01,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.01,"band":"comparable","note":null,"word_count":3449,"original_word_count":3426,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200222e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-02-22/p022"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}