{"corpus":"steiner","locus":"GA 277b/1920-03-28/p012","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"In eurythmy, at least a path has been opened up, albeit in a very imperfect way even today. It involves a different means of expression, in order to become both impressionistic and expressionistic in a different way. We are dealing here with the human being, with the moving human being, and so with something that can be observed by the observer with the senses, something that can be presented in the medium of the senses. But what is being presented, these movements, are not something that merely needs to be looked at, but rather can be observed in a certain way, just as one can listen to speech or sound, to song, and discern something of the soul in it. What the expressionist wants, for example, that the soul he has painted into his forms and form structures is inside them – can easily be achieved when presented in eurythmy. Because this eurythmic art that I have presented is, like human language, the expression of the soul, of the spiritual, everywhere.","text_trust":"verbatim","quote_safe":true,"title":"54. Eurythmy Performance","site_heading":null,"date":"1920-03-28","location":null,"word_count":171,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-03-28/p012","alignment_confidence":"medium","alignment_reason":"off_by_one_paragraph","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200328e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-03-28/p012"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-03-28/p012"}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. 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The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"not_checkable","note":"No verified paragraph alignment covers this passage, so its names cannot be compared with the German."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}