{"corpus":"steiner","locus":"GA 277b/1920-04-04/p010","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"But just as in every art there is less that is truly artistic the more that is ideational and mental that flows into it, so too in what is presented poetically there is less that is truly artistic as the thought - which is a prosaic element - flows into this artistic element. The actual poetry is given in the will element, which lives itself out in rhythm and beat, in the whole formation, and which also lives itself out in the images on which it is based.","text_trust":"verbatim","quote_safe":true,"title":"55. Eurythmy Performance","site_heading":null,"date":"1920-04-04","location":null,"word_count":88,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-04/p010","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200404e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-04/p010"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-04/p010","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-04-04","de_passages":[{"locus":"GA 277b/1920-04-04/p010","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-04/p010"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":76,"en_words":88,"ratio":1.16,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-04-04/p010","passage_number":10,"text":"Aber wie in jeder Kunst umso weniger wirklich Künstlerisches vorhanden ist, je mehr Ideelles gedankenmäßig in sie einfließt, so ist eigentlich auch in dem, was dichterisch dargeboten wird, umso weniger wirklich Künstlerisches, als der Gedanke - der ja ein prosaisches Element ist - einfließt in dieses Künstlerische. Das eigentlich Dichterische ist im Willenselement gegeben, das sich eben auslebt in Rhythmus und Takt, in der ganzen Formung, das sich auch auslebt in den Bildern, die zugrunde liegen.","text_trust":"verbatim","quote_safe":true,"word_count":76,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-04/p010"}],"english":["GA 277b/1920-04-04/p010"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":76,"en_words":88,"ratio":1.16,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.02,"band":"comparable","note":null,"word_count":2342,"original_word_count":2285,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200404e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-04-04/p010"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}