{"corpus":"steiner","locus":"GA 277b/1920-04-11/p014-p015","extent":"range","passage_number":14,"through":15,"paragraph_count":2,"first_locus":"GA 277b/1920-04-11/p014","last_locus":"GA 277b/1920-04-11/p015","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"title":"58. Eurythmy Performance","date":"1920-04-11","location":null,"alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200411e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"witness_completeness":{"ratio":1.02,"band":"comparable","note":null,"word_count":2179,"original_word_count":2131,"may_be_abridged":false},"site_heading":null,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-11/p014-p015","json_url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-11/p014-p015.json","lecture_url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-11#p014","word_count":248,"quote_safe":true,"passages":[{"passage_number":14,"locus":"GA 277b/1920-04-11/p014","text":"If you look at the one hand at what is brought forth from the human being as a mute language, just as arbitrarily as the spoken language, you will find it accompanied on the other hand by the music. It is only a different side of what appears in these two arts. Furthermore, I believe that one can only create something that actually presents itself as a kind of new art form alongside our older art forms in eurythmy.","text_trust":"verbatim","quote_safe":true,"word_count":79,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-11/p014","german_anchor":{"de_prefix":"1920-04-11","de_passages":[{"locus":"GA 277b/1920-04-11/p014","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-11/p014"}],"bead_confidence":"medium","length_check":{"de_words":83,"en_words":79,"ratio":0.95,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200411e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-04-11/p014"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}},{"passage_number":15,"locus":"GA 277b/1920-04-11/p015","text":"When we turn to the visual arts, we need, as it were, to first calm the things that are moving within us. The musical and the poetic, which are indeed moving, must work at the same time with such a strong power of internalization that the external sensory impression often recedes. Even in purely musical, absolutely musical works, the external sensory impression is juxtaposed with an internalization. But it is precisely because music, when it appears as pure music, can still speak to the pure senses that it retains the purely artistic. By contrast, we do not find what I would call plastic movement in those areas of art that are considered traditional. Sculpture that is artistically formed and does not depend on standing simply in repose, in form, in calm shape-shaping, but sculpture that can take human movement as its starting point: this simultaneously becomes eurythmy, which is based on listening to the movement tendencies of the human speech organs and applying them to the whole human being.","text_trust":"verbatim","quote_safe":true,"word_count":169,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-11/p015","german_anchor":{"de_prefix":"1920-04-11","de_passages":[{"locus":"GA 277b/1920-04-11/p015","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-11/p015"}],"bead_confidence":"medium","length_check":{"de_words":167,"en_words":169,"ratio":1.01,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. 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Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-04-11/p015"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}],"witnesses":[{"lang":"de","edition":"original","is_original":true,"is_default_edition":true,"first_passage":1,"last_passage":20,"passage_count":20,"word_count":2131},{"lang":"en","edition":"English","is_original":false,"is_default_edition":true,"first_passage":1,"last_passage":20,"passage_count":20,"word_count":2179,"completeness":{"ratio":1.02,"band":"comparable","note":null}}],"aligned_witness":{"status":"aligned","lang":"de","edition":"original","confidence":"medium","passages":[{"locus":"GA 277b/1920-04-11/p014","passage_number":14,"text":"Wenn Sie sehen werden auf der einen Seite dasjenige, was als stumme Sprache gesetzmäßig aus dem Menschen hervorgeholt wird, sodass ebenso willkürlich wie die Lautsprache Sie werden begleitet finden auf der einen Seite diese Eurythmie von der Rezitation, auf der anderen Seite vom Musikalischen. Es ist ja nur eine andere Seite desjenigen, was in diesen beiden Künsten auftritt. Außerdem glaube ich, dass man in der Eurythmie erst dasjenige schaffen kann, was sich tatsächlich als eine Art neuer Kunstform neben unsere älteren Kunstformen hinstellt.","text_trust":"verbatim","quote_safe":true,"word_count":83,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-11/p014"},{"locus":"GA 277b/1920-04-11/p015","passage_number":15,"text":"Wir haben da nötig, wenn wir zu den bildenden Künsten greifen, gewissermaßen dasjenige, was im Menschen bewegt ist, erst zur Ruhe zu bringen. Das Musikalische und das Dichterische, das allerdings bewegt ist, muss zu gleicher Zeit wirken mit einer so starken Kraft der Verinnerlichung, dass der äußere Sinneseindruck oftmals zurücktritt. Auch beim rein Musikalischen, beim absolut Musikalischen tritt der äußere Sinneseindruck gegenüber einer Verinnerlichung entgegen. Aber gerade dadurch, dass die Musik eben, wenn sie als reine Musik auftritt, noch zu den reinen Sinnen sprechen kann, bewahrt sie das rein Künstlerische. Dagegen finden wir gerade innerhalb derjenigen Kunstgebiete, mit denen man als den traditionellen rechnet, nicht dasjenige, was ich nennen möchte plastische Bewegung. Künstlerisch gestaltete Plastik, die nun nicht angewiesen darauf ist, bloß in Ruhe, im Formellen, im ruhig Formenhaften dazustehen, sondern Plastik, die mit der menschlichen Bewegung rechnen kann: Das wird zu gleicher Zeit ganz von selbst diese Eurythmic, die darauf beruht, dass abgelauscht wird die Bewegungstendenz den menschlichen Sprachorganen und auf den ganzen Menschen übertragen wird.","text_trust":"verbatim","quote_safe":true,"word_count":167,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-11/p015"}],"beads":[{"from":[14],"to":[14],"confidence":"medium"},{"from":[15],"to":[15],"confidence":"medium"}],"note":"Paired by the paragraph aligner; each language numbers its own paragraphs. A bead at either end of the span can carry text beyond it (the `from` numbers show what each bead covers)."}}