{"corpus":"steiner","locus":"GA 277b/1920-04-17/p010","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Now eurythmy is actually an art that uses the whole human being as a means of expression, that is, it creates through the formal language of the whole human organization and can thus advance to the very sources of the sensual and supersensible. For we have the human being before us as the most perfect sensual form, and we have speech in such a way before us that the soul is expressed everywhere. By taking the soul as our basis, you will see this person, or groups of people, on stage, accompanied by recitation or music, which are, after all, only a different expression of the same thing, an expression in a different form.","text_trust":"verbatim","quote_safe":true,"title":"59. Eurythmy Performance","site_heading":null,"date":"1920-04-17","location":null,"word_count":114,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-17/p010","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200417e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-17/p010"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-17/p010","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-04-17","de_passages":[{"locus":"GA 277b/1920-04-17/p010","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-17/p010"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":118,"en_words":114,"ratio":0.97,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-04-17/p010","passage_number":10,"text":"Nun ist die Eurythmie eigentlich tatsächlich eine Kunst, die sich des ganzen Menschen als Ausdrucksmittel bedient, die also durch die Formensprache der ganzen menschlichen Organisation schafft und die dadurch gerade zu den Quellen des Sinnlich-Übersinnlichen vorschreiten kann. Denn wir haben ja den Menschen als die vollkommenste sinnliche Gestalt vor uns, und wir haben im Sprechen so vor uns diese Gestalt, dass überall das Beseelte zum Ausdruck kommt. Indem wir da das Beseelte zugrunde legen, so werden Sie also auf der einen Seite diesen Menschen durchseelt in seinen Bewegungen — oder Menschengruppen in ihren Bewegungen - auf der Bühne sehen, begleitet von der Rezitation oder Musikalischem, die ja nur ein anderer Ausdruck desselben sind, ein Ausdruck in anderer Form.","text_trust":"verbatim","quote_safe":true,"word_count":118,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-17/p010"}],"english":["GA 277b/1920-04-17/p010"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":118,"en_words":114,"ratio":0.97,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.0,"band":"comparable","note":null,"word_count":2719,"original_word_count":2730,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200417e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-04-17/p010"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}