{"corpus":"steiner","locus":"GA 277b/1920-04-17/p015","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"We should always strive to move forward. But then it is our conviction, however strict critics we are in relation to it, what we can already offer, that either through us, probably through others, this eurythmic art, when it is further developed, will become something that can actually lead the way into the other arts, for example into painting: one tries to express the inner life of the human being with color. Here a path is opened up where the human being is used as a means of expression, as a tool. The human being is the most perfect tool that can be developed in art.","text_trust":"verbatim","quote_safe":true,"title":"59. Eurythmy Performance","site_heading":null,"date":"1920-04-17","location":null,"word_count":106,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-17/p015","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200417e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-17/p015"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-17/p015","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-04-17","de_passages":[{"locus":"GA 277b/1920-04-17/p015","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-17/p015"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":108,"en_words":106,"ratio":0.98,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-04-17/p015","passage_number":15,"text":"Das soll immerfort unser Bestreben sein, vorwärts zu kommen. Dann aber ist es unsere Überzeugung, so strenge Kritiker wir demgegenüber sind, was wir jetzt schon bieten können, dass entweder noch durch uns, wahrscheinlich durch andere, diese eurythmische Kunst, wenn sie weiter ausgebildet werden wird, zu etwas werden wird, was tatsächlich die Wege wird leiten können in die anderen Künste, zum Beispiel in der Malerei: Man versucht mit der Farbe das innerliche Leben des Menschen zum Ausdruck zu bringen. Hier wird ein Weg eröffnet, wo der Mensch selber als Ausdrucksmittel, als Werkzeug verwendet wird. Der Mensch ist einmal das vollkommenste Werkzeug, das in der Kunst überhaupt ausgebildet werden kann.","text_trust":"verbatim","quote_safe":true,"word_count":108,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-17/p015"}],"english":["GA 277b/1920-04-17/p015"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":108,"en_words":106,"ratio":0.98,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.0,"band":"comparable","note":null,"word_count":2719,"original_word_count":2730,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200417e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-04-17/p015"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}