{"corpus":"steiner","locus":"GA 277b/1920-04-17/p017","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"to the production of the work of art.” And how can order, measure, harmony and meaning not best be combined in rhythm and tact, to give, as it were, moving sculpture and silent music, silent poetry, when one uses man himself as a tool for artistic formation? From this point of view, I ask you to accept with indulgence what is, however, only in its infancy, but is heading towards perfection, even in its present form.","text_trust":"verbatim","quote_safe":true,"title":"59. Eurythmy Performance","site_heading":null,"date":"1920-04-17","location":null,"word_count":76,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-17/p017","alignment_confidence":"medium","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200417e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-17/p017"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/277b/1920-04-17/p017","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1920-04-17","de_passages":[{"locus":"GA 277b/1920-04-17/p017","url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-17/p017"}],"bead_confidence":"medium","pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"],"length_check":{"de_words":77,"en_words":76,"ratio":0.99,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 277b/1920-04-17/p017","passage_number":17,"text":"bis zur Produktion des Kunstwerkes erhebt». Und wie sollte nicht am besten Ordnung, Maß, Harmonie und Bedeutung im Rhythmus und im Takt zusammengenommen werden können, um gewissermaRen bewegte Plastik und stumme Musik, stumme Dichtung geben zu können, wenn man sich des Menschen selber als eines Werkzeuges zur künstlerischen Formung bedient. Von diesem Gesichtspunkte aus bitte ich Sie, dasjenige, was allerdings erst im Anfang ist, was aber seiner Vervollkommnung entgegensteuert, mit Nachsicht auch in der heutigen Form aufzunehmen.","text_trust":"verbatim","quote_safe":true,"word_count":77,"url":"https://anthroposophy.ai/v1/steiner/de/ga/277b/1920-04-17/p017"}],"english":["GA 277b/1920-04-17/p017"],"method":"identity","confidence":"medium","correspondence":"established","length_check":{"de_words":77,"en_words":76,"ratio":0.99,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.0,"band":"comparable","note":null,"word_count":2719,"original_word_count":2730,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"The Origin and Development of Eurythmy 1918–1920","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA277b/English/SOL2024/19200417e01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 277b/1920-04-17/p017"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"medium","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}