60. Eurythmy Performance
Eurythmy really brings out the full inwardness of the [illegible word], while Goethe [gap:] meant: In something like? [illegible word] the second [part] of “Faust” I can with [illegible word] this first scene, which we are presenting here today in the first part before the break. So even the esteemed audience who have been here before will see how we are endeavoring to arrive at a [--] [unreadable passage] mode of presentation. We can say that we have made a great deal of progress in the last few months, particularly in the development of the forms of presentation. But we are well aware that the whole of eurythmic art is only at the beginning of its development and we are therefore convinced, although the strictest criticism comes from ourselves, that there is still room for improvement in this eurythmy. perfection [illegible word] [in] this eurythmy, that others or we ourselves, without [illegible word] [space], will still bring it to [a] higher form.
Cite:
GA 277b/1920-04-18/p013 · edition English